Shippou-Sensei
4:1:2.5
King Biscuit Time said:![]()
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And is it just me, or are there two extra verses in The Fresh Prince theme that Spoone posted?
thats the two extra verses that are usually cut from the openiong sequence... the pilot definatly has them
King Biscuit Time said:![]()
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And is it just me, or are there two extra verses in The Fresh Prince theme that Spoone posted?
shave said:never fake and I'm never phoney
got more flavour than a packet of macoroni
GarfieldLeChat said:whislted for a cab and when it came near
the licence plate said freah and there was dice in the mirror
will smith - freash prince theme will never ever ever absolve himself ever for that ever...
I thought he said "ice in the rear", as in, the tape player's in the boot forf some reason 
ringo said:Linton Kwesi Johnson really lets himself down:
ovaltina said:I thought he said "ice in the rear", as in, the tape player's in the boot forf some reason
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Pigeon said:Then of course there's Staing's immortal:
"He starts to shake and cough
just like the old man in that book by Nabokov", which is really shit.
Paul Russell said:True
Sting is king
Of shite
Rhyming

Wanker of the Century said:“Don't try to treat me like I ain’t famous,
My apologies, are you into astrology?
Cause I'm, I'm tryin to make it to Uranus.”
Error Gorilla said:The turning point of a career
In Korea
Being insincere
Not Martin Gore's finest moment.
The turning point, of a career
A career, in being insincere.
Peter Gabrielle was in a shit band, and then wrote these awful lines in hi solo days
If looks could kill, they probably will
errr, fuck of pete


Working on a sex farm
Trying to raise some hard love
Getting out my pitch fork
Poking your hay
Scratching in your henhouse
Sniffing at your feedbag
Slipping out your back door
Leaving my spray
Sex farm woman, I'm gonna mow you down
Sex farm woman, I'll rake and hoe you down
Sex farm woman, don't you see my silo rising high?
Working on a sex farm
Hosing down your barn door
Bothering you livestock
They know what I need
Working up a hot sweat
Crouching in your pea patch
Plowing through your beanfield
Planting my seed
Sex farm woman, I'll be your hired hand
Sex farm woman, I'll let my offer stand
Sex farm woman, don't you hear my tractor rumbling by?
Working on a sex farm
Trying to raise some hard love
Getting out my pitch fork
Poking your hay
The bigger the cushion, the sweeter the pushin'
That's what I said
The looser the waistband, the deeper the quicksand
Or so I have read
My baby fits me like a flesh tuxedo
I'd like to sink her with my pink torpedo
Big bottom, big bottom
Talk about bum cakes, my girl's got 'em
Big bottom drive me out of my mind
How could I leave this behind?
I met her on Monday, twas my lucky bun day
You know what I mean
I love her each weekday, each velvety cheek day
You know what I mean
My love gun's loaded and she's in my sights
Big game is waiting there inside her tights, yeah
Big bottom, big bottom
Talk about mud flaps, my girl's got 'em
Big bottom drive me out of my mind
How could I leave this behind?
ViolentPanda said:The dubious honour for the worst rhyming couplet in music history should really be awarded to Alberto y los Trios Paranoias, for the frankly ridiculous
"don't want to be cremated or buried in a grave,
just shove me in a plastic bag and leave me on the pave...ment"
from the track "Gobbing on Life" on their "Snuff Rock" EP.

ViolentPanda said:The dubious honour for the worst rhyming couplet in music history should really be awarded to Alberto y los Trios Paranoias, for the frankly ridiculous
"don't want to be cremated or buried in a grave,
just shove me in a plastic bag and leave me on the pave...ment"
from the track "Gobbing on Life" on their "Snuff Rock" EP.
People are people
So why should it be
You and I should get along so awfully
Cloo said:Another mention for t' Mode here:
You just can't use the word 'awfully' in a pop song. Especially at the end of a line, and especially to rhyme with 'be'.
Cloo said:Another mention for t' Mode here:
You just can't use the word 'awfully' in a pop song. Especially at the end of a line, and especially to rhyme with 'be'.