BadlyDrawnGirl
Piano Tuna
I'd say that Robert Johnson had the most unique sound, but sadly he was never to be able to explore it to its full potential, or develop or expand or experiment - which I'm sure he would have done had there not been Satanic recriminations.
I've always felt that John Lee Hooker was the true heir to Johnson's blues crown - he had a more modern take on the blues and ploughed a resolutely singular and unchanging furrow, but fuck, what a furrow it was. Every nuance of the playing; every secret that man's fingers shared with the fretboard - every twang, every pluck, every squeak, every whine - works magic in these shell-likes.

I've always felt that John Lee Hooker was the true heir to Johnson's blues crown - he had a more modern take on the blues and ploughed a resolutely singular and unchanging furrow, but fuck, what a furrow it was. Every nuance of the playing; every secret that man's fingers shared with the fretboard - every twang, every pluck, every squeak, every whine - works magic in these shell-likes.

