These are all on the creating side.. what about the receiving end, if ecstasy made techno popular, what would brain implants that let you recognise details that birds or whales can understand do?
What music really needs is some sort of death ray to be used against manufactured x-factor drones, insipid indie bands, people who write string arrangements for Celine Dion records and purveyors of self-regarding but tuneless 'arty' electronic bleep-bloopery. And Joe Satriani
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