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What film SHOULD be remade?

hope godzilla wont be the main baddie in it. been a while since ive seen a godzilla film (not counting Bueller version) but was always under the impression godzilla was the last hope that you brought in from monster island when another even worse monster was trashing the city. tvtropes calls it "crossing the godzilla threshold"

and if theres any mini-zillas in the movie, please kick your friend in the face
 
some have said godzilla is an expression of the japanese cultural memory of having an entire two cities wiped out. I'm not sure I buy that. Cos well, how come there isn't a scaly monster wiping out coventry or dresden?
 
The Marat/Sade (or, to give it its proper title, The Persecution And Assassination Of Jean-Paul Marat As Performed By The Inmates Of The Asylum At Charenton Under The Direction Of The Marquis De Sade). The fundamental debate between freedom and control by their revolutionary champions. It covers pretty much the same ground as the 2000 film, Quills with Geoffrey Rush and Kate Winslet but more polemically and with more flourish. I'm not sure if it would count as a remake as the only version I'm aware of is a straightforward film recording of the 1967 RSC stage production directed by Peter Brooke which feels rather flat. Plenty of scope for a dramatic reappraisal.
 
Inception

I think this needs remaking, or it needs a sequel which exists in the same universe as the original, but which bears no resemblance to the plot of the original (a reboot, I suppose). The scope for story-telling here was pretty much unparalleled. It's about dreams, where literally anything is possible. And what did they do? Turn it into a shit James Bond. The final level, which was supposed to be the most fucked-up, incomprehensible place imaginable was a bland skyscraper city with some moderately bad weather.

Ideally I'd like this to be written by Terry Gilliam, but with overall control given back to Nolan to reign in Terry somewhat, and to guarantee the film makes sense and is finished on time - or at all.
 
hope godzilla wont be the main baddie in it. been a while since ive seen a godzilla film (not counting Bueller version) but was always under the impression godzilla was the last hope that you brought in from monster island when another even worse monster was trashing the city. tvtropes calls it "crossing the godzilla threshold"
Depends on the film. Godzilla evolved quite a lot over the years. In the first one he goes on a mad rampage stomping all over Tokyo: totally the baddie. Then he starts fighting other monsters, destroying cities in the ruck. Then he starts being a kind of anti-hero, being released from monster island to save Japan from space monsters or woken from his slumber to save some kids from Ebirah, horror of the deep.
some have said godzilla is an expression of the japanese cultural memory of having an entire two cities wiped out. I'm not sure I buy that. Cos well, how come there isn't a scaly monster wiping out coventry or dresden?
In the first film Godzilla is blatantly a metaphor for an atomic bomb. His attack on Tokyo is depicted as quite a harrowing experience - not the jolly rubber suited monster fights of the later films.

I love the old Godzilla films. When are they going to get a region 2 DVD release :mad:
 
You know what, they ought to have a go at rebooting Terminator. After all Total Recall wasn't Total Recock and Robocop looks REALLY good...

Fuck! I was JOKING!
 
Battle of the river Plate , with less of the jolly hockey sticks, and stiff upper lip......what !!!!
 
Out of the blue, for no real reason, I've just realised the one film that above all others I wish was remade.

Interview with a Vampire was a jolly good film for those that like that kind of thing. I certainly did at the time, and probably still do. Vampires and that kinda shit have become quite popular recently (on both TV & film, with both teens & adults), but it was all a bit niche at the time. But despite that, Interview did well at the box office and also garnered a lot of praise from mainstream critics. It pulled off a neat trick, in that Anne Rice fans liked it, but those that had never even heard of her thought it was pretty damn good too. I've seen it a couple of times since becoming all growed up, and IMO it stands the test of time - yeah it's all pretty OTT and hammy in places, but the story all hangs together and the style is concordant with the plot, as well as being both striking and consistent. And both Pitt and Cruise are excellent in it. I'm no fan of Cruise generally, but he was brilliant in IwaV.

But here's a confession: I was one of those Anne Rice fans. As a teenager I loved that series, and read a fair few of them. The first 5 I think, maybe 6.

And I think anyone who's read those books would point to The Vampire Lestat and Queen of the Damned as being far far better stories than Interview with a Vampire. With the successful adaptation of the first book, I really looked forward to seeing the film treatment of the second and third.

It was a long wait. So long, in fact, that by the time the next one was released on film I was a decade older and had lost interest. A good thing too, because by all accounts the second film is an utter pile of shite.

IwaV is a fairly thin book. The Vampire Lestat and The Queen of the Damned are both books with much more depth, more complex and involved, and hence each take up a similar amount of space on a bookshelf as one of Alistair Reynolds' heftier tomes. But bizarrely, after the successful adaptation of the much shorter and shallower first book, they decided to try and combine both the following two books into one film. And they waited 10 years after the first release, by which time the enthusiastic reception had faded into vague memory, fans like me had moved on, and I'm sure the budgets and personnel on offer from studios had receded in kind. I've never seen it, but it's no surprise that it's seen as such an utter clusterfuck of a film.

So: Remake The Vampire Lestat. Don't try and bundle it up with the next book - in fact, it'd be wise to split it in two as was done with Harry Potter's last hurrah. Do it properly, with a decent budget and plush production in the style of Interview, but updated to suit a modern eye, tastes, and our now ubiquitous wry cynicism. There's a new generation growing up with fucking Twilight to sell to, plus those of my age that are quite taken with things like Being Human, even if many wouldn't actually admit to liking Pitt and Cruise in that vampire film all those years ago. We can fall back on The Lost Boys as an excuse if needs be. It'd be a guaranteed cash-cow if done properly, a new franchise waiting to happen.

So it'd work for the studios IMO. But for me, I'd just like to see something I remember as a fucking good story brought to life on the screen in the way it deserves.
 
Corax - yep, absolutely. In terms of the films, Interview With A Vampire was done pretty well and although flawed, it managed to capture the atmosphere quite well, I liked the film at the time, and still do. Queen of the Damned was a great big steaming pile of shit. But The Vampire Lestat and Queen of the Damned were better books than Interview. I'm a bit of an Anne Rice fan tbh, I'd rather take her interpretation of vampires over the watered down stuff these days.
 
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