Urban75 Home About Offline BrixtonBuzz Contact

Wes Anderson

nah just look at him.

dsc00167gu8.jpg


It's like some fuckwitted hillbilly is alive and making inane comments on the internet.

:)
 
i think orang has a point..mr 68 who is yr favourite director?..someone whose films feature a lot of "action" perhaps?:p

nah I really like Almodóvar for example, he actually has real characters.

I'm not even adverse to heavily stylised stuff like Lynch's crazy shit, it atleast holds your interest and gives you something to think about.

Slightly embarrased to mention Loach but a few of his are good, atleast when he's not laying it on with a fucking shovel as is his want.

Coen Brothers rarely disappoint either.

Larry Clark is another cunt I hate.
 
I dunno how you find his characters emotionally engaging, I mean I'd grant the possibility that someone could really love his aesthetic (it actually makes me feel a wee bit queasy) or whatever but his characters are not emotionally engaging and to be fair to him I don't think he wants them to be, he's far too "droll and cool" for such sentiments.:rolleyes:

You probably have a point about it being middle class, call me a philistine but I'd rate any episode of Shameless ten times more than his shit movies. Maybe the middle classes are just remakrably boring to everyone else but themselves. :D

In The Royal Tenenbaums, you really feel for Gwyneth Paltrow's character when you see her reacting to Gene Hackman referring to her pointedly as his 'adopted daughter'. In The Life Aquatic, the relationship between Owen Wilson's and Bill Murray's characters is charged with poignancy. It's all through his films, it's just not sledgehammered into you like it would in, say, a Spielburg or Howard film.
 
You probably have a point about it being middle class, call me a philistine but I'd rate any episode of Shameless ten times more than his shit movies. Maybe the middle classes are just remakrably boring to everyone else but themselves. :D

i don't know if I'd call you a philistine. Phenomenally immature, perhaps :)
 
Yeh, Royal Tennenbaums in particular, i think you DO end up caring. Also, even in something as preposterous as Life Aquatic - I was genuinely moved when they finally found the shark. To make a film as odd, mood-wise, as that is, but still manage an emotional punch at the end is excellent film-making in my book.

I agree about TLA. Great film and as you say strangely moving.

But i really thought TRT was a waste of a fucking awesome cast.
 
In The Royal Tenenbaums, you really feel for Gwyneth Paltrow's character when you see her reacting to Gene Hackman referring to her pointedly as his 'adopted daughter'. In The Life Aquatic, the relationship between Owen Wilson's and Bill Murray's characters is charged with poignancy. It's all through his films, it's just not sledgehammered into you like it would in, say, a Spielburg or Howard film.

I couldn't feel anything for Gwyneth Paltrow if I was passing her in a bowel movement and certainly not in an Anderson flick.

I fucking detest Spielburg.
 
:D:D

You do realise Anderson is name dropped by every early twenties poseur.

i'm afraid I don't know any early twenties poseurs. And since I doubt you do - what with you being a fierce class warrior who wouldn't mix with such types - I'm not sure I'm prepared to take your word for it.

What SHALL we do? :(
 
i'm afraid I don't know any early twenties poseurs. And since I doubt you do - what with you being a fierce class warrior who wouldn't mix with such types - I'm not sure I'm prepared to take your word for it.

What SHALL we do? :(

mixing with those types is what made me a fierce class warrior. :p ;)
 
You probably have a point about it being middle class, call me a philistine but I'd rate any episode of Shameless ten times more than his shit movies. Maybe the middle classes are just remakrably boring to everyone else but themselves. :D

As an aside, Shameless bores the tits off me, with its salt of the earth council estate people getting involved in countless kerazy scrapes. Perhaps I'm not working class enough to get it.
 
As an aside, Shameless bores the tits off me, with its salt of the earth council estate people getting involved in countless kerazy scrapes. Perhaps I'm not working class enough to get it.

Shameless used to be great, but the heart has gone and it's jumped more sharks every series..

Anyway, surely only a total fuckwit chooses what they watch based on the class of the subjects involved?

I mean, jesus, Revol, do you do a class analysis of westerns or sci-fi movies and work out whether they're focussing on the right social strata?
 
As an aside, Shameless bores the tits off me, with its salt of the earth council estate people getting involved in countless kerazy scrapes. Perhaps I'm not working class enough to get it.



nah its not that, its just that shameless isn't very good imo
 
nah I really like Almodóvar for example, he actually has real characters.

I'm not even adverse to heavily stylised stuff like Lynch's crazy shit, it atleast holds your interest and gives you something to think about.

Slightly embarrased to mention Loach but a few of his are good, atleast when he's not laying it on with a fucking shovel as is his want.

Coen Brothers rarely disappoint either.

Larry Clark is another cunt I hate.


what, you didn't even like Kids?
 
As an aside, Shameless bores the tits off me, with its salt of the earth council estate people getting involved in countless kerazy scrapes. Perhaps I'm not working class enough to get it.

well they aren't salt of the earth and they are quite clearly caricuturised and yet despite the obvious exagerration and somewhat predictability of it, it manages to bring genuine moments of humanity to the characters. It has no pretensions and is explicit in having set characters for set roles and yet it still manages to have more rounded and real characters compared to Anderson's ohh so quirky cunts. Shameless let's it's bar lower and manages to exceed it, Anderson things he's setting his bar higher but never gets near it, is never as funny , clever, subtle or sardonic as he thinks he is.
 
Wrong adjective really - I just find his humour a bit staged, a bit too aware of it's own cleverness. I can see WHY people like his work, and the reason I latched onto the CitR comment is because it's much the same - loads of people like it, I can see why but personally it leaves me completely cold. Same as LCD Soundsystem as well.

Can't stand Shameless either.
 
One of my guilty pleasures, that one :(

I mean, i KNOW it's toss but....

I watched that by accident, by turning up to my local theater not knowing what is on, during 'mental health week'.

I got in for free by pretending I was with a load of NHS people.
 
I disagree entirely. Mordant wit is not 'intentionally wacky'.

For real cinematic Catcher in the Rye-ism, try Igby Goes Down.

yeah but it was very explicit about that and certainly wasn't soo far up it's own hole as Anderson's stuff.
 
Ach. I think this episode of Shameless is getting better after the disappointment of last series

I loved my mate from Salford's reaction to Shameless mind. He watched it looked puzzled and slightly underwhelmed - far from wacky, he just thought it was taking the piss out of home and half didn't believe it was meant to be a comedy

Wes Anderson's work leaves me cold. Clever in places, but I never like the films or characters within that much.
 
Why don't you make a film about the tortured, tormented life of a twenty-something Larne anarchist whose genius continues to go unrecognised, and see how many people rate that?

You could call it 'Larne Star', perhaps.
 
Why don't you make a film about the tortured, tormented life of a twenty-something Larne anarchist whose genius continues to go unrecognised, and see how many people rate that?

You could call it 'Larne Star', perhaps.

See this is exactly that, if I had the money, background and smug belief that people should actually give a fuck about my self indulgent wank fantasisies, like a middle class cunt like Anderson I'd knock some shit like that out.

If i was making a movie it'd be a fucking massive historical/political epic spanning from the Kronstadt uprising, through the Spanish Civil War and reach it's climax in the streets of Budapest '56. It'd have all the superficial props of a hollywood blockbuster (grand everburning romance that spanned the decades), that only served to emphasis it's politics. It'd be the movie equivalent of Generation Terrorist.
 
If i was making a movie it'd be a fucking massive historical/political epic spanning from the Kronstadt uprising, through the Spanish Civil War and reach it's climax in the streets of Budapest '56. It'd have all the superficial props of a hollywood blockbuster (grand everburning romance that spanned the decades), that only served to emphasis it's politics. It'd be the movie equivalent of Generation Terrorist.

You know that it would be a pile of shit, because you want to make a statement about politics, not a film.
 
Also the old 'Well how good is the movie/album/painting you made.' Is the most pathetic response to criticism ever. I'm not fucking paid millions or handed such budgets and let's face it if it was applied consistently there'd be fuck all interesting to discuss on here or anywhere else. Football discussion would be particularly excellent, "Dirk Kuyt is an excellent player, a top class finisher, I mean yes he's done fuck all throughout the season but at the end of the day if he came down to my 5 a side match on a firday night he'd humiliate me and my mates. So hey who am i to criticise?"
 
Back
Top Bottom