Erich Zann
I am what you are
hiccup said:
Reason got a built-in side chaining compressor, it's pretty good,take a look at it and get your tunes sounding more, er French.
USB Controller Keyboards
- Thread starter chriswill
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Reason got a built-in side chaining compressor, it's pretty good,take a look at it and get your tunes sounding more, er French.
beesonthewhatnow
going deaf for a living
Erich Zann said:
Erich Zann
I am what you are
hiccup said:Just need to filter everything to fuck to make it sound french I thought
yup that an all, but for vocals if you listen to almost any french house/disco choon from the last 10 years or so it's everywhere. Thomas Banglater uses it all the time.
Erich Zann said:not for mac users. They can get that lofty attitude back
Thanks anyway, might take a look. I assume it rewire and vst compatble
Yep, although the mac version has its disadvantages.
Rewire and VST no worries, and the Environment is a midi-phile's paradise, e.g. I easily created layers I can load in to any project that allow me to automate any of the VSTis using my controller
Erich Zann
I am what you are
ICB said:Yep, although the mac version has its disadvantages.
Rewire and VST no worries, and the Environment is a midi-phile's paradise, e.g. I easily created layers I can load in to any project that allow me to automate any of the VSTis using my controller
.
Erich Zann said:
Came in with 4.7.3, manual is notoriously pants, although I never found a copy, just learnt from articles in CM and online tutorials. Which version have you got or does it cover gold, plat, etc. in one?
This may help http://www.ableton.com/pages/rewire/logic_pro
General intro: http://www.pcmus.com/Logic-Audio-Tutorial.htm
Some of the logic forums can be pretty unfriendly but you can usually find good stuff following free registration and a bit of searching
http://community.sonikmatter.com/
http://discussions.apple.com/category.jspa?categoryID=156
http://www.bigbluelounge.com/forums/viewforum.php?f=2
http://logicprohelp.com/
http://www.logicuser.net/forum/
https://www.macprovideo.com/createaccount/
Erich Zann
I am what you are
ICB said:
wow. thanks man. Sure is a lot of reading there.
Logic looks huge, gonna be a long night.
beesonthewhatnow
going deaf for a living
Utterly pointless thoughICB said:If you've got a decent soundcard you should be able to get 1ms latency with ASIO drivers
Backatcha Bandit
is not taking your calls
I feel your pain, PK. For me it was Sonic Foundry's 'ACID'.pk said:..all those years spent carefully beatmatching samples on an S950 then some fucker invents Ableton so anyone can do it...
Incidentally, I've got a v.5.2 Logic manual (.pdf) with a section on ReWire available by PM should anyone need it.
beesonthewhatnow said:Utterly pointless though
Eh? I've got a shed load of patches, things like the Akai S6000/S7000 soundbanks, that are great fun to load into ESX24 and then play around with on the keyboard. Some of the drums and the piano are great.
If the latency is higher than a few ms you get distracted by the delay between hitting the key and hearing the sound. Low latency rules
beesonthewhatnow
going deaf for a living
Anything below about 5 or 6 ms and you're wasting your time and risking processor glitches IMO, I've yet to meet anyone that can notice. An example - if you think about a guitar player stood 4 feet away from a speaker stack the sound will take approx 4 ms to reach his ear anyway, so why bother getting anything lower than that?ICB said:Eh? I've got a shed load of patches, things like the Akai S6000/S7000 soundbanks, that are great fun to load into ESX24 and then play around with on the keyboard. Some of the drums and the piano are great.
If the latency is higher than a few ms you get distracted by the delay between hitting the key and hearing the sound. Low latency rules
Ahh ISWYM
IME it's either >=12ms or <=5ms in terms of what the PC/card/software will deliver
Perhaps we get conditioned to, and hence ignore, the delay caused by the sound having to travel a short distance from speaker to ear, so that's taken out of the equation?
I agree that it has to get up to about 6 or 7 before I notice and double figures before it gets really annoying
IME it's either >=12ms or <=5ms in terms of what the PC/card/software will deliver
Perhaps we get conditioned to, and hence ignore, the delay caused by the sound having to travel a short distance from speaker to ear, so that's taken out of the equation?
I agree that it has to get up to about 6 or 7 before I notice and double figures before it gets really annoying
Erich Zann
I am what you are
fannypad said:That's half the fun though, this is my setup and I wouldn't have it any other way:
ah, octamed
/sigh
beesonthewhatnow said:Anything below about 5 or 6 ms and you're wasting your time and risking processor glitches IMO, I've yet to meet anyone that can notice. An example - if you think about a guitar player stood 4 feet away from a speaker stack the sound will take approx 4 ms to reach his ear anyway, so why bother getting anything lower than that?
IIRC (it's been a while since I've done any music recording) I only really get irritated by latency when it gets to over 15ms.
beesonthewhatnow
going deaf for a living
I can notice at around 8ms, and its gets to the point where I'm unhappy with it around 10...Xanadu said:
Erich Zann
I am what you are
fannypad said:
nostalgia definitely. I loved my a1200, 16bit parallel port sampler, and octamed. ex g/f nicked the lot and no doubt it all wound up in cash converters for a tenner.
I can't deny that the kit i'm using now pisses all over it but it still brings back happy memories, mainly of sensi soccer tho'
are you still using it now for any serious stuff, i'd be interested in hearing some.
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