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Underrated/overrated woody allen films

another one for Love and Death. i used to love Woody Allen films, then went through a phase ofreally disliking them, and him. i might try again see how i feel now...

along with a some books, Allen is responsible for kickstarting my fascination/love of New York. :)
 
Manhattan Murder Mystery is way underrated.

Alan Alda, Dianne Keaton, Anjelica Houston, and Woody himself.

I saw it in my early teens and thought it was wonderful. Saw it again recently and that bit where they are sneaking around and they freak out and get all nervy and paranoid still makes me laught out loud
 
All Woody Allen films are over rated, I've never seen the attraction of them. He is a very self indulgent writer, but I suppose he has saved a fortune on psychoanalysis by producing these films.
 
I've never really got into his stuff, though I liked Casino Royale. Zelig felt like more of a clever idea than a funny one.

Think the only ones of his I've seen apart from that are Radio Days, Bullets Over Broadway and Vicky Cristina Barcelona. All seemed okay. So are any others really worth the effort?
 
As per the thread try Love and Death, and for me also the massively under-rated Stardust Memories.
 
I loved the oldies (Manhattan, Annie Hall, Manhattan Murder Mystery), but on watching Manhattan recently Woody annoyed me and I could not see past him being an annoying whiny cock. Now I think his later output is better - loved Match Point and Vicky Cristina Barcelona.
 
I've never really got into his stuff, though I liked Casino Royale. Zelig felt like more of a clever idea than a funny one.

Think the only ones of his I've seen apart from that are Radio Days, Bullets Over Broadway and Vicky Cristina Barcelona. All seemed okay. So are any others really worth the effort?

Sleeper is hilarious, as is Bananas and Play it again Sam. Love and Death is pretty good, too.
 
The last two Woody Allen films which got hailed as a return to form, Vicky Christina Barcelona and Midnight in Paris, were pretty bad. However I really like Match Point which a lot of British people turn their nose up at because apparently it's not authentically British enough. It was written to take place in New York and then got switched to London when funding came from Europe, with the condition that it gets shot there. It's an excellent Patricia Highsmith style thriller and a nice example of old school Hollywood film-making. While some people thought it was corny or old fashioned, I liked that it was like something Hitchcock would have made in the 50s and it's a really solid piece of film-making which very much showcases Allen as a director as much as a writer.

I also recently saw the excellent "Woody Allen: A Documentary" which was a good reminder of how great he could be. I think in the 70s and 80s he had a pretty fantastic run of films and Annie Hall is maybe still the greatest film about falling in and out of love ever made.
 
Sweet and Lowdown may count as underrated? It's one of my favourites. Manhattan Murder Mystery too.

The Curse of the Jade Scorpion and Small Time Crooks are the only two of this millenium that I think I'd even consider watching again. Everything since, including the numerous so-called 'returns to form', have been teeth-grindingly awful.

Play it Again Sam has my favourite line of any of his films:

"Into bed? With my luck I won't get her into a chair"
 
LOVE Bullets Over Broadway. Fantastic film.

Manhattan Murder Mystery is way underrated.

Alan Alda, Dianne Keaton, Anjelica Houston, and Woody himself.

I saw it in my early teens and thought it was wonderful. Saw it again recently and that bit where they are sneaking around and they freak out and get all nervy and paranoid still makes me laught out loud
Abso-flaming-lutely. That's one of my favourite Woody films, and barely anyone's even heard of it, let alone seen it.
 
Been having an Allen catch up and surprised the very funny Manhatten Murder Mystery was not mentioned in the recent documentary. It reunited him with Keaton and came just after his custody battle.

Allen also made a remark about trying to make films where box office falls but are much funnier. Having seen Midnight in Paris, his highest grossing film, I can see his point.

I suspect that he was enjoying Rodney Trotter and his time travel memrobilia shop on UK Gold when he made his previous film in London. This film is so light weight and predictable and tend to watch Allen's later work for some great actors who do rise above the medocrity of the film. In this Owen Wilson does a decent Woody Allen stand in and there is a great supporting performance from Michael Sheen as the sort of pompous pseudo intellectual wind bag that annoys Allen. Shame they had to rehash teh Annie Hall Marshall McLuhan gag.
 
Been having an Allen catch up and surprised the very funny Manhatten Murder Mystery was not mentioned in the recent documentary. It reunited him with Keaton and came just after his custody battle.

I'm sure I remember Diane Keaton talking about what it was like working with Allen again after such a long time. Great documentary and a must for anybody who ever liked Allen's work.
 
The last two Woody Allen films which got hailed as a return to form, Vicky Christina Barcelona and Midnight in Paris, were pretty bad. However I really like Match Point which a lot of British people turn their nose up at because apparently it's not authentically British enough. It was written to take place in New York and then got switched to London when funding came from Europe, with the condition that it gets shot there. It's an excellent Patricia Highsmith style thriller and a nice example of old school Hollywood film-making. While some people thought it was corny or old fashioned, I liked that it was like something Hitchcock would have made in the 50s and it's a really solid piece of film-making which very much showcases Allen as a director as much as a writer.
Didn't you think it was not a good version of Crimes and Misdemours though? That has a lot of the same ideas but carried out better and with the addition of the comic half of the film which I really like.

I mean compared with the other ones he's made in England/London Match Point is a bloody masterpiece but its s far way from his best IMO.
 
Didn't you think it was not a good version of Crimes and Misdemours though? That has a lot of the same ideas but carried out better and with the addition of the comic half of the film which I really like.

I mean compared with the other ones he's made in England/London Match Point is a bloody masterpiece but its s far way from his best IMO.

Good point, but I think formally the films are different enough for me to appreciate both on their own terms. What impressed me about Match Point was really the film-making rather than the writing and how much Allen has grown in that respect. It's a rather elegant film that wouldn't embarrass Hitchcock. Crimes and Misdemeanours may still be a better film, but for me at least Match Point is the only one of Allen's European films which is of any real value. And in regards to the thread title, I do think it's underrated especially here where people where just harping on about how cliched and inauthentic it is about London and the UK, which didn't bother me much.
 
No i think mighty aphrodite was well received although a lot of the attention was on mira sorvino's performance. I definitely thought it was a bit meh though. I think crimes and misdemeanours is neglected though especially as it was martin landau's second best film after ed wood imo, and my second favourite allen film overall.

Now I loved Mighty Aphrodite, but as an archaeology/classics buff, I'm kind of hard-wired to appreciate anything that in any way references or mocks Greek theatre. I also really liked Crimes & Misdemeanours. Fuckit, when it comes down to it, I just like Woody Allen films - so shoot me. :o
 
Had the misfortune to see Midnight in Paris. Dear Lord. And it won the Oscar for best screenplay. :eek:

I wasn't that into it the first time I saw it (it's been on tv a lot lately) but it really grew on me and I actually think it's pretty clever.
 
but for me at least Match Point is the only one of Allen's European films which is of any real value. And in regards to the thread title, I do think it's underrated especially here where people where just harping on about how cliched and inauthentic it is about London and the UK, which didn't bother me much.

Some of the clumsy transpositions didn't spoil this for me either. Although the idea of the British upper classes being intellectual culture vultures was a bit of stretch though.
 
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