I've never really got into his stuff, though I liked Casino Royale. Zelig felt like more of a clever idea than a funny one.
Think the only ones of his I've seen apart from that are Radio Days, Bullets Over Broadway and Vicky Cristina Barcelona. All seemed okay. So are any others really worth the effort?
Yeah those are two of my faves. Also love Radio Days, The Purple Rose of Cairo, Bullets Over Broadway and ZeligAs per the thread try Love and Death, and for me also the massively under-rated Stardust Memories.
Yeah those are two of my faves. Also love Radio Days, The Purple Rose of Cairo, Bullets Over Broadway and Zelig
Abso-flaming-lutely. That's one of my favourite Woody films, and barely anyone's even heard of it, let alone seen it.Manhattan Murder Mystery is way underrated.
Alan Alda, Dianne Keaton, Anjelica Houston, and Woody himself.
I saw it in my early teens and thought it was wonderful. Saw it again recently and that bit where they are sneaking around and they freak out and get all nervy and paranoid still makes me laught out loud
Been having an Allen catch up and surprised the very funny Manhatten Murder Mystery was not mentioned in the recent documentary. It reunited him with Keaton and came just after his custody battle.
Didn't you think it was not a good version of Crimes and Misdemours though? That has a lot of the same ideas but carried out better and with the addition of the comic half of the film which I really like.The last two Woody Allen films which got hailed as a return to form, Vicky Christina Barcelona and Midnight in Paris, were pretty bad. However I really like Match Point which a lot of British people turn their nose up at because apparently it's not authentically British enough. It was written to take place in New York and then got switched to London when funding came from Europe, with the condition that it gets shot there. It's an excellent Patricia Highsmith style thriller and a nice example of old school Hollywood film-making. While some people thought it was corny or old fashioned, I liked that it was like something Hitchcock would have made in the 50s and it's a really solid piece of film-making which very much showcases Allen as a director as much as a writer.
Didn't you think it was not a good version of Crimes and Misdemours though? That has a lot of the same ideas but carried out better and with the addition of the comic half of the film which I really like.
I mean compared with the other ones he's made in England/London Match Point is a bloody masterpiece but its s far way from his best IMO.
No i think mighty aphrodite was well received although a lot of the attention was on mira sorvino's performance. I definitely thought it was a bit meh though. I think crimes and misdemeanours is neglected though especially as it was martin landau's second best film after ed wood imo, and my second favourite allen film overall.

Had the misfortune to see Midnight in Paris. Dear Lord. And it won the Oscar for best screenplay.![]()
but for me at least Match Point is the only one of Allen's European films which is of any real value. And in regards to the thread title, I do think it's underrated especially here where people where just harping on about how cliched and inauthentic it is about London and the UK, which didn't bother me much.