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UB40 thread/updates

They are:

  • Brilliant

    Votes: 11 6.9%
  • Good

    Votes: 44 27.7%
  • Average

    Votes: 43 27.0%
  • Shite

    Votes: 23 14.5%
  • Really shite

    Votes: 38 23.9%

  • Total voters
    159
Yes, they're early stuff is very good indeed - great songs and musically really not notch innovative dub reggae - proving that white boys could do this stuff and do it well.

Then they seemed to overnight became some dreary, pedestrain, MOR, cruise ship band -proving that white boys should never be allowed near reggae.

I remember in the late 80s when it was reported that they were thinking of changing their name as being named after an unemployment benefit form was no longer appropriate for a globally succesful band. One wag wrote into to the NME suggesting that - inlight of the excessivpy corporate, rip off nature of their stadium gigs - they change their name to 'Barclaycard'.
 
Also in agreement about Present Arms in Dub and loved the early stuff (being a Brummie I may be a bit biased!)
I can't comment on anything recent as I've not heard it.
 
Signing Off is an excellent album.

Aye!

And as has been posted, most anything since then has been utter ubershite.

"Tyler is Guilty" is a terrific track.

And "(I Think It's Going To) Rain Today" is cool too.

"Stone By Stone" is sublime.


I still remember seeing them at the Electric Ballroom in Camden in 1978, before they "made it" - only about 200 peeps there (198 popper-sniffing, pogo-ing skinheads and me (with hair down to my shoulders,) and my supposed "mate".

Fucking excellent gig! Really raw. Wholly passionate. Brilliantly engaged.

On the way out, I was beset upon by skinheads and beaten to fuck :( - my "mate" ran away, expained later that there were too many of them and, therefore, there was nothing he could do and it was better that only one of us was demolished rather than both :confused: . Oh well.



Anyway......


That said, The Beat was a far better band of the same time and genre. Their first two albums were superb - all original material. They were more musically and lyrically gifted.

Such gems as "Stand Down Margaret", "Mirror In The Bathroom", "Walk Away (Lean On Me)" and "Feel Love Thumping" were truly iconic tracks that deftly encapsulated and reflected the early Thatcher years.


:)


Woof
 
I still remember seeing them at the Electric Ballroom in Camden in 1978, before they "made it" - only about 200 peeps there (198 popper-sniffing, pogo-ing skinheads and me (with hair down to my shoulders,) and my supposed "mate".

Fucking excellent gig! Really raw. Wholly passionate. Brilliantly engaged.

I saw them in either '78 or '79 in Leeds before they 'made it' - supporting The Pretenders. They were pretty unknown at the time and all the talk in the bus on the way back to York* was of how brilliant the supporting band were!

I've got the title track of Present Arms and the fantastic 'Lamb's Bread' in my head now! General consensus seems to be good band who went deadly boring. If I switched on the radio now & it was playing 'Red Red Wine' I'd have to zap it off, and quickly......

* no decent live venues in York in those days - sometimes a few of us would hire a minibus and go to Leeds.....
 
easy to diss, but i think they're true to themselves, a genuine article in and of themselves - theyre not pretending to be something else, and they genuinely love reggae music. early stuff feels purer than the later, but even the later stuff is done with love i think. nothing wrong with 'pop' reggae - theres a lot of jamaican pop reggae out there too, and whats wrong with singing a song or too? Is it really that much more cheesy than someone like Beres Hammond? (love a bit of Beres! )

The lead singer (Ali CAmpbell - just looked it up!) has a unique voice too. Bands like UB40 are one of the reasons i love england - shit, id rather have ub40 as pop music than Ace of Base!

i really dont have a problem with them.

yep. general consensus here seems to be they started well and went shite and I wouldn't really disagree
- the labour of love album(s) which a lot of people are pointing too as a turning point made them massively beloved in jamaica 'cos they made sure everyone got paid for their tunes, often for the first time.
they're held in similar high regard in Brum - people will slag their shit records but never them -they stayed around and put stuff back in helping other musicians and stuff and never got up their arses over being succesful.
I love it when you see Ali on telly and he's still dead, dead brummie.
bless 'em
I did really hate them when they were super shite though

The Campbell brother's biography "Blood and Fire" is a surprisingly good read - I hadn't realised they were the sons of english folk guy Ian Campbell.

I never knew that. that's mad.
 
They have been very shit for a long time but Signing Off is an album I like.

ETA: Have now read the thread :facepalm: :cool:
 
i only became aware of them in the alte 80s and early 90s and always thought they were shite, but as i get older i realised that their early stuff was OK, it was just the later years when they became a pop-reggae cover band that they became shite.

That's my opinion of Aswad tbf - I only know them as cheesy chart-toppers but apparently plenty of people who actually know WTF they are talking about rate Aswad as OK.

I'm surprised so many people like their version of Kingston Town - sounds very cruise ship lounge bar to me, right up there with I got you babe, can't help falling in love...
 
As others have said, I love the Signing Off album. And I'm off to see them next Saturday which I'm looking forward to, I think Maxi Priest is fronting.
 
Hope its a good show for ya Numbers.

When I saw them many years ago they were supported by Bloodfire Posse
They were wicked!

 
I don't know if Kingston Town is there song or one they pinched but the bit about if he had one wish he would give it away just to see the girls always made me wonder why he didn't just use said wish instead :confused:
 
- the labour of love album(s) which a lot of people are pointing too as a turning point made them massively beloved in jamaica 'cos they made sure everyone got paid for their tunes, often for the first time.

They did some great stuff, their first two LPs stand up against anything done by any British reggae band. They then went on to make fortunes for Jamaican legends who otherwise would have died penniless. People like Ken Boothe got a house to live in specifically from UB40s work and for this they should be thanked and applauded.

As a roots fan I'd have loved them to have carried on making tough roots but they'd done that and went on to become popular and very successful and made a load of money.

Good for them, well done lads.
 
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