Negativland said:
This is unforgivable. It's like an entire subculture made of vomit. Some old trance is practically minimal techno though!

Orang Utan said:If I don't like the music, I'm outta there in half an hour.
foo said:that documentary is hilarious![]()

Heh - it does look a bit like him doesn't it.Spion said:I didn't realise Mr R M**** played guitar
Spandex said:But I don't think that's the quite end of the story for trance. Some of the Minimal 'techno' coming out of europe has a real trancy feel about it. The trouble with that scene, however, (besides the so-minimal-it-does-nothing stuff), is the sheer quantity of formulaic stuff coming out - not unlistenable, but not good either - that swamps any decent tunes that may be released. Who knows though, maybe there'll be some decent trance in the future...
The funny thing is that as electronic genres continue to blur, it gets harder and harder to say what trance is. I'm reminded of Supreme Court Justice Potter Stewart's 1964 proclamation as to what constituted pornography: "I know it when I see it." Regardless, there are specific hallmarks of tranciness. The first is almost certainly its melodic urge — those grand, stirring phrases that lead to hands-in-the-air high points that feel like the sky has broken apart.
there's a major difference between that and an entire night of utter bollocks trance by numbers with the occasional good tune.zeedoodles said:TRUE......
A lot of my fellow snob head techno fans look down on trance but take them to hear Derick May and watch them dance when he plays Gilgamesh Trescore on Fragile recordsthen ask them what they think of trance.

Skim said:I agree there isn't much of a difference between some of today's minimal techno and what I used to think of as trance. It's long, repetitive and, well, puts you in a trance. But it's a lot more acceptable to say you listen to minimal rather than trance![]()
Spandex said:Well, what passes for trance today is pretty much totally crap - either sub-sub-sub-paul van dyk vooop-vooop-vooop hands in the air rubbish or wibbly hippy psytrance nonsense.
But trance hasn't always been so bad. When I first got into free parties/raves/clubbing in the early 90s trance was new and exciting. You'd hear Rez by Underworld, Lush by Orbital, PWOG, Drum Club, some Harthouse, R&S, Guerilla stuff. Now, I expect a lot of people will think: that's not trance, but in the early days of the scene, that was what got played at trance nights. Just because it isn't rubbish, doesn't mean it's not trance.
As with all new scenes, however, it pretty quickly mutated into something else. Trance seemed to move in three different directions:
There was the the goa/psy stuff - I still like some early Dragonfly type stuff, but the scene pretty quickly became swamped with acid-fried hippies, and the music became formulaic, loosing the warm acid house feel of the early stuff and becoming full of daft samples about pixies and aliens. After '95 it was pretty much unlistenable.
There was the euro stuff - that was always fairly cheesy (Jam & Spoon, Humate, DJ Dag) but was good fun at the time. Then came Paul Van Dyk. I like a couple of his albums, but aparently so did everyone else who was into this type of trance and everyone on this side of the scene started making rip offs of PVD tunes, getting more and more formulaic, and getting cheesier and cheesier. Then there was Gatecrasher. When I lived in Sheffield, Gatecrasher had just started and was seen as a cheesy house night where 30 something blokes would go to pick up teenage girls on pills. But then the whole dressing like a fule and waving glowsticks scene developed there. And the music got worse and worse leading to what most people think of as trance today.
Then there was the harder trance - this got played at squat parties, where just about every flyer bore the legend: ACIDTECHNOTRANCE. As the squat scene developed, the music played at the parties developed it's own style. As that music had little to do with the other two styles of trance, that was politely dropped from the musical description, and it just became known as Acid Techno.
But I don't think that's the quite end of the story for trance. Some of the Minimal 'techno' coming out of europe has a real trancy feel about it. The trouble with that scene, however, (besides the so-minimal-it-does-nothing stuff), is the sheer quantity of formulaic stuff coming out - not unlistenable, but not good either - that swamps any decent tunes that may be released. Who knows though, maybe there'll be some decent trance in the future...
RenegadeDog said:You're all too elitist for your own good. Trance is one of the easiest types of dance music to get into, and, I found, the one that I could enjoy the most immediately without being 'on' anything, cos it was uplifting all by itself.
...and its not even acid techno anymore. By about 5 years ago hardly any of the scene leaders played anything with acid at all: its hard london style techno.Spandex said:Then there was the harder trance - this got played at squat parties, where just about every flyer bore the legend: ACIDTECHNOTRANCE. As the squat scene developed, the music played at the parties developed it's own style. As that music had little to do with the other two styles of trance, that was politely dropped from the musical description, and it just became known as Acid Techno.

mad
which i spose was equally destructive, but i doubt anyone here cared about that scene very much anyway.