ice-is-forming
Good kids caught down in the never never
And Mc Vicar...fantastic sound track, fantastic movie


Makes me want to chuck my scooter off a cliffice-is-forming said:ooooo and i adore this one soooo much, it makes me wanna ***swoon***its sooo sweeeet.![]()

longdog said:Quadrophenia is one of the best albums ever. Certainly the best "concept" album.
And that is a tobyjug fact.
ice-is-forming said:can you see the real me DR DR...
love walking along the beach at 3 am singing the whole album at the top of my voice.
and yes do know ALL the words.
is it me or a moment......love it.![]()


Nah, someone will be along soon to slag it off as an overblown rock opera...Chorlton said:are we all on agreement on this?
longdog said:Quadrophenia is one of the best albums ever. Certainly the best "concept" album.
And that is a tobyjug fact.
Major Tom said:Well - its either 'Quadrophenia' or its 'The Rise & Fall of Ziggy Stardust &The Spiders From Mars'.
It's definitely not Tommy.
bertifrew said:one of my most favourate albums. there aren't too many albums you can listen to straight through without skipping the odd track. this is one of them imo. The real me is powerfull as fuck. enwhistles bass is fantastic! 515 is an other great tune, pure rock n' roll....
MC5 said:Who's Next is another one.
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In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery.
But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades.
With unseen archive and in-depth interviews from Townshend, Roger Daltrey, Keith Moon, John Entwistle and those in the studio and behind the lens who made the album and thirty page photo booklet.
Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.
Why should I care
If I got to cut my hair?
I got to move with the fashion
Or be outcast.
I know I should fight
But my old man he's really alright,
And I'm still living at home
(Even though it won't last.)
Zoot suit, white jacket with side vents
Five inches long.
I'm out on the street again
And I'm leaping along.
I'm dressed right for a beachfight,
But I just can't explain
Why that uncertain feeling is still
Here in my brain.
The kids at school
Have parents that seem so cool.
And though I don't want to hurt them
Mine want me their way.
I clean my room and my shoes
But my mother found a box of blues,
And there doesn't seem much hope
They'll let me stay.
Zoot suit, etc.
Why do I have to be different to them?
Just to earn the respect of a dance hall friend,
We have the same old row, again and again.
Why do I have to move with a crowd
Of kids that hardly notice I'm around,
I have to work myself to death just to fit in.
I'm coming down
Got home on the very first train from town.
My dad just left for work
He wasn't talking.
It's all a game,
'Cos inside I'm just the same,
My fried egg makes me sick
First thing in the morning.
it's impossible to read this without punctuating it in your head with entwhistle's bass.Or:
The cracks between the paving stones
Look like rivers of flowing veins.
Strange people who know me
Peeping from behind every window pane.
The girl I used to love
Lives in this yellow house.
Yesterday she passed me by,
She doesn't want to know me now.