circleline
Well-Known Member
Genuinely laughed-out-loud (and long) at the scene in the car.
Am finding some of the dialogue slightly 'worked' and 'grand-standing' yet still compelling. (Think this is possibly symptomatic of improvised-based drama. Noticed the same in some of Mike Leigh's work: You rehearse the scene, you grab the scene, you want to keep key elements that came out in that scene, yet cannot help but slightly 'stilt' the playing of it, again, eventually... I think, perhaps).
Still, we are playing dialogue in 'real time' and conversations and situations are awkward and not necessarily linear. Am applauding this brave attempt at TV drama. Positively bloody Shakespearean in its jags from comedy to tragedy.
Am finding some of the dialogue slightly 'worked' and 'grand-standing' yet still compelling. (Think this is possibly symptomatic of improvised-based drama. Noticed the same in some of Mike Leigh's work: You rehearse the scene, you grab the scene, you want to keep key elements that came out in that scene, yet cannot help but slightly 'stilt' the playing of it, again, eventually... I think, perhaps).
Still, we are playing dialogue in 'real time' and conversations and situations are awkward and not necessarily linear. Am applauding this brave attempt at TV drama. Positively bloody Shakespearean in its jags from comedy to tragedy.




