The individual tunes weren't so much a focus is all - they were tools to be used by DJs, which is why superstar DJs inevitably became a thing. It's not really possible to compare with music where the focus is on performance.How is that disagreeing with what I was saying? Exactly, the musicians weren't important, what they looked like wasn't important, taking credit for the production personally wasn't important, their background, experience, backstory wasnt important.
There are endless endless tunes and acts that all I knew about them was a white label or a stamp with a silly name . To this day I'm only now discovering who made what tune after some serious digging on the internet, with big names often hiding it.
Or case in point, one of the most revered acts in the rave scene Foul Play, so many huge tunes, were it not for discogs id never know it was 4 guys. And that they also used the 4 Horseman of the Apocalypse pseudonym. And so on and so on.
And yes some DJs had respect, but I remember a time before superstar djs was a thing, and the embarrassment of it becoming a thing.
I don't think the facelessness of techno is much different from the facelesness of lots of other scenes based around playing records out - disco, northern soul, soundsytem reggae?



