Some of you older Londoners might get a kick out of this: the very first film I ever saw in a movie theatre as a 6yr. old young Canadian pup was "Expresso Bongo". It was 1964; the film was released in 1960 but it was playing second-run at a cheapo rep theatre in Vancouver. My father, an extremely hip cat for the early 60's, couldn't find a babysitter with my mom out of town, so he was forced to drag me along.
A week later, "A Hard Day's Night" was released. My older sisters dragged me along to that (my 2nd film ever). Naturally, the Fab Four had the same effect on me as it did the rest of the world, but to my 6yr old brain IT HAD FUCKING NOTHING ON "EXPRESSO BONGO". I even remember saying to my sisters on the way out of theatre, tears still in their eyes from crying/voices hoarse from seeing the Beatles for the first time: "Fuck John, Paul George and Ringo. I wanna' be Johnny fuckin' Jackson". (They didn't have a clue what I was talking about).
"Expresso Bongo" simply floored me as a kid. It had absolutely nothing to do with Cliff Richard; fuck 'em, he was just eye candy. May as well have been Pat Boone (although Jet Harris was pretty cool). It was Laurence Harvey as "Johnny Jackson" who really did it for me. Jeezuz. Slick, suave, sleazy, great threads...he had the whole package. He was fucking "jazz"; he chewed up the scenery. He and SOHO ITSELF were the real stars. It just fucking facinated me.
It's hard to explain just how much of an effect this film had on me. When I think about it today (or watch it, I have it on tape) I can't stop laughing. It's hilarious. I think it was because, as a 6yr old, it "transported" me to (nightime/neon-lit) Soho in much the same way a "Harry Potter" kid today would be transported to, um...wherever the fuck it is they get transported to. Let's face it, Soho was kickin' it back then. And so was Laurence Harvey. And winner/loser/whatever, I wanted to be just like "Johnny fuckin' Jackson". At 6yrs old! I was obsessed.
In the spring of 1977, at 18, I finally made it to London for the first time. Me and three mates stayed with friends in Tottenham, and the trip was COMPLETELY devoted to punk rock (I think the Pistols were even still together). We did no touristy shite whatsoever; no British Museum, no Tate, no Tower of London...just two solid weeks of massive binge drinking/drugs, sleeping in our own vomit on friends floors, and going to every punk venue/DIY show within a 150 mile radius. Didn't even see Central London...
However, on our very last day before flying home, I ditched all my friends, dropped a huge dose of acid, and spent the night wandering around Soho. Alone. Alone because, in '77, punks were so notoriously snotty, ignorant and stupid, none of my friends (Canucks OR Brits) knew what I was talking about when I mentioned "Expresso Bongo". (Or they thought they were too "punk" - read: pompous - to acknowledge the importance of the film - which is utterly fucking ridiculous, considering a scant two years later, when the TwoTone/ska thing hit, everybody dumped their pink spiked hair, visited their local thrift shops, and started dressing like Laurence Harvey/Johnny Jackson!!!)
Anyway, completely wrecked on acid and without even a Tube map, not only did I manage to find Soho, but I found where the 2i's used to be, all the "hot spots" on Denmark St from the film...I think I even found the building where Johnny lived. Sure, Soho had changed, but as I was already "seeing neon", I may as well have been on the set in 1960. It was lysergically fucking brilliant. I WAS HOME!!! (I also found a couple of dive bars, bought rounds for seriously dodgy people, got the shit kicked outa' me, then got REALLY lost...it was perfect...)
My apologies for blathering on about this, but THAT was the first film I ever saw in a theatre, and that was the effect it had on me. Thank god my first film wasn't "The Sound Of Music".