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Should people who like mainstream cinema be ignored

firky said:
With an American twist. Some American wine is nice but Canadian beer nad wine is better IMO. .

I"m not sure what 'an american twist' would be when it comes to wine, especially when many of those who started the business in California, were from the European wine producing countries.

I agree that Canada is finally making better wine, but our best can't compare with the best american wine. Our growing season isn't long enough, and the size of their wine producing area is much larger, meaning that there is a greater variety of soil conditions etc, that can play a factor in the production of really good wine.

I'll agree on the beer, though. I think that we have better microbrewery beer here than in the US, although I've had actual drinkable beer in Chicago.
 
firky said:
There's some things the Americans can't do and that is food, wine, cars and films.
You're kidding, right?

I realize that mindless, all-encompassing dismissals of America are de rigueur in some parts of the world, but why is it that the same people who constantly imply that all Americans are dull and ignorant display the same ignorance themselves when talking about the United States?

Food: plenty of Americans do food very well. It might make you feel better to believe that McDonald's is the only food eaten on this side of the Atlantic, but the fact is that Americans have an extremely diverse and interesting array of food cultures, and that there is an incredible amount of very good food available over here.

Like many places, getting the really good stuff can require some willingness to look for it, and often also requires a decent amount of money. But in my experience, America has a similar range of cuisine to most western countries, i.e., it runs the gamut from absolute crap to the sublime. At the highest levels, America has produced some of the world's best chefs.

Sure, there's a lot of European and Asian influence on many types of American cuisine, but show me a country whose cuisine is totally and exclusively local. Even the French make use of techniques and produce from other cultures in their modern styles.

Wine: anyone who believes Americans can't do wine has, quite simply, no idea what he's talking about. It's one thing to say that you prefer the wines of Europe or Australia or whatever, but that's quite different from saying that Americans don't know how to do wine. The top American wines stack up very well against their French counterparts, and at the middle and low ends there are plenty of American vineyards that produce very good quality at very reasonable prices.

Yes, the style and the body of American wines often differs markedly from French or Italian or German wines, and i think the wines of California have more in common with other New World wine producers like Australia's Barossa and Hunter Valleys than with European wine (from the oakiness of some Chardonnays to the particular berry nose and finish of the Cabernets). But if you're willing to spend some money, you can get some outstanding quality wine in the United States. Just because you can't find good American wine at the off-licence in Scunthorpe doesn't mean it doesn't exist.

And as for the idea that Canadian wine is better, on the whole, than American wine? That is either wishful thinking or sheer balls-out bullshit. I love Canada. I was born there, i lived there for a while, and i'm still a citizen. But there's no way on earth that the Canadian wine industry--despite its improvement over recent years--is anywhere near the level and consistency of the American industry.

Cars: well, i've always preferred European cars myself, and some of the Japanese models. I prefer Euro sports cars because i've always had a thing for designers like Bertone and Pininfarina, and because the Europeans have made some beautiful cars. I prefer modern Euro sedans over American ones too, and i also get annoyed at what often seems an American obsession with horsepower over subtlety.

But that doesn't mean that Americans can't build cars. And a ton of factors, from distances to fuel prices to costs to auto industry profit-seeking, have helped to determine the trajectory of American car-making.

Film: well, you've already conceded in this thread that some Hollywood films are good. And there are also Americans who make excellent independent films. So the question is not whether or not Americans can make good films--clearly some of them can--but why it is that many of their films are so bad, at least in your opinion.

One thing you might look at is the financing structure. You know one thing you see at the end of nearly every Australian-made film? A credit acknowledging the assistance of the Australian Film Commission, a government agency designed to promote the art of film-making. Many European countries also get considerable government support for their film industries. I think this is a good thing, and that it often leads to some very high quality work.

For better or worse, American film doesn't generally get the same level of support. It's a profit-making venture with large corporations seeking a return on their investment. As others have noted, most American film, especially the sort of Hollywood blockbusters that you seem so fond of dismissing out of hand, wouldn't get made at all unless they were projected to turn a profit.

I guess you could argue that the world might be better off if Spiderman 3 had never been made. I'd probably agree with you. But the fact that it was made doesn't mean that Americans as a whole "can't do film." Americans have a share of talented and creative and thoughtful people that is, as far as i can tell, no smaller and no larger than anywhere else. I think there are structural and probably also cultural factors in America that tend to "dumb down" a lot of films made here, and that an industry that spends as much as Hollywood should probably produce more good movies than it does, but arguing that Americans have some national or congenital inability to "do film" isn't even an argument, it's just a display of ignorance.
 
You're American therefore you're dismissed as most Americans are inherently nationlist :p

(joke)

Will reply in more detail when I am not quite as drunk on European beer :D
 
I would call the Bourne films mainstream, and they are very good indeed.

I guess it depends on the genre. Hollywood is often not the first port of call for thought-provoking, deep or complex plots. The Usual Suspects is a good example of that- the script was rejected by most studios as it was seen as too complex for the masses. That does not mean Hollywood does not produce from time to time very good films.
 
Orang Utan said:
I love both movies and films - there's a lot of shite arthouse as well as shite blockbusters

Precisely.

For me, the LOTR films were great cinema, just as "This is England" or "Hana Bi" were also great cinema. I don't feel a need to pick or choose whether to only like the grand spectacle or only like guardian-reading stuff.
 
Johnny Canuck2 said:
But, the Matrix exhibited the worst of the hollywood formulaic approach. It just had advanced CG for its time.:)

Agreed here, the Matrix has not dated well. The Truman Show is a much better example of a Hollywood film with something to say.
 
firky this thread is embarrassing, there is nothing sadder than someone imaginging themselves ohh so alternative cos they've seen Pans Labyrinth and Amelie. Get over yourself for fuck sake!
 
Those two films aren't amazing? :confused:

Do you get a tear in your eye over the wind that shakes the barley :p
 
firky said:
Those two films aren't amazing? :confused:

Do you get a tear in your eye over the wind that shakes the barley :p

I never said they were and The Wind That Shakes The Barley was formuliac wank, he basically tried to squeeze a Land and Freedom 2: The Bog Trotting Years out of it and fuck the actual history. I mean the way he basically presented the Treaty fall out as being one between bourgeois nationalists who were selling out the people and principled socialist revolutionaries was just utter nonsense, but it fitted better with the simplistic narrative he wanted to weaved of a 'revolution betrayed'.

p.s. Firky real hipsters don't try to look cool by slagging off mainstream hollywood movies, they embrace a select few of them for post modern canonisation, get with the programme loser!
 
actually I lie I thought Pans Labyrinth and Amelie were fantastic films, of course you can't admit that anymore because they've actually became too mainstream.
 
Oh christ i've just noticed Firky's name dorpped la Haine, has this flu sent me back in time to 1996?
 
Firky, I reckon part of the problem is that you only see the very best that countries like France produce. When I lived in Paris, I went to see a random French film every week as part of the cinema class, and believe me, they produce an awful lot of absolute WANK.

You've listed foreign films that have come out over a very long stretch of time, you've cherry picked the very best of them. If you did that with Hollywood you would have come out with an absolutely superb list of films. I think it's just that people are more exposed to Hollywood so they think it's innately inferior. If people had the chance to handpack the very best 2-3 hollywood films every year they wouldn't make these kinds of statements. IMVHO.
 
RenegadeDog said:
Firky, I reckon part of the problem is that you only see the very best that countries like France produce. When I lived in Paris, I went to see a random French film every week as part of the cinema class, and believe me, they produce an awful lot of absolute WANK.

You've listed foreign films that have come out over a very long stretch of time, you've cherry picked the very best of them. If you did that with Hollywood you would have come out with an absolutely superb list of films. I think it's just that people are more exposed to Hollywood so they think it's innately inferior. If people had the chance to handpack the very best 2-3 hollywood films every year they wouldn't make these kinds of statements. IMVHO.

bang on!

of course the other aspect is that it's cooler to pretend to prefer this generic entity called 'foreign cinema'.*

*if you're a sad try hard tosser of course.

personally I find people who go on and on abut what cool films, bands or whatever else they are into are often using them as personalities by proxy.

Art is dead, but the student is necrophiliac. He peeks at the corpse in cine-clubs and theaters, buys its fish-fingers from the cultural supermarket. Consuming unreservedly, he is in his element: he is the living proof of all the platitudes of American market research: a conspicuous consumer, complete with induced irrational preference for Brand X (Camus, for example), and irrational prejudice against Brand Y (Sartre, perhaps).

Impervious to real passions, he seeks titillation in the battles between his anaemic gods, the stars of a vacuous heaven: AIthusser -- Garaudy-Barthes -- Picard -- Lefebvre -- Levi-Strauss -- Halliday-deChardin -- Brassens... and between their rival theologies, designed like all theologies to mask the real problems by creating false ones: humanism -- existentialism -- scientism -- structuralism -- cyberneticism -- new criticism -- dialectics-of-naturism -- meta-philosophism...

He thinks he is avant-garde if he has seen the latest happening. He discovers "modernity" as fast as the market can produce its ersatz version of long outmoded (though once important) ideas; for him, every rehash is a cultural revolution. His principal concern is status, and he eagerly snaps up all the paperback editions of important and "difficult" texts with which mass culture has filled the bookstores. (If he had an atom of self-respect or lucidity, he
 
RenegadeDog said:
Firky, I reckon part of the problem is that you only see the very best that countries like France produce. When I lived in Paris, I went to see a random French film every week as part of the cinema class, and believe me, they produce an awful lot of absolute WANK..

I did that too. I used to go to these movie theatres on the Champs Elysees and watch things like Les Chiens. Good for boning up on my french, but bad for my sense of aesthetics.:)
 
yes and anyone who things French cimena is so superior should check out what passes for fucking comedy in that shit hole.
 
revol68 said:
yes and anyone who things French cimena is so superior should check out what passes for fucking comedy in that shit hole.

And Firky should remember that the French gave Jerry Lewis the Legion d'Honneur or something, for his american comedy movies.

So firky, your moviemaking gods worship....an american!:D

Sans blague!
 
firky said:
Those two films aren't amazing? :confused:
Irrelevant.

The question is not whether your so-called "foreign" or "independent" films are good. Clearly many of them are. I absolutely loved Pan's Labyrinth, and thought it was a beautiful and powerful film.

The problem is that you seem to take the position that film-watching is somehow a zero-sum game, and that if i go and see American Gangster then that somehow means that i will appreciate Pan's Labyrinth less. It simply doesn't work that way. Many people are fully able to appreciate the brilliance of a non-mainstream film, while also taking pleasure (perhaps in a different way) in a Hollywood blockbuster.

It may surprise you to know this, but i don't ask or expect the same thing from every movie i see. Sure, at a certain level, i would like to be entertained by all of them, and sometimes that doesn't happen. But there are times when i'm in the mood for different types of entertainment. If you can't grasp that, and if you believe that my occasional desire for mindless eye-candy reflects poorly on my intelligence or my character, then there's probably not much i can say to change your mind. But it makes you look like a self-important twat.

The funny thing is that, based on your many posts about films on this message board, i reckon that our tastes in film probably aren't too dissimilar. While i don't agree with you about everything, i like plenty of the same movies as you, and dislike plenty of the same ones too. The main difference is that i don't expect that my personal standard will be adopted as the universal measure of what constitutes a good film. I'll leave that level of hubris to you.
 
I'm a semantic nightmare with all this... to me a lot of modern HW films are incredibly foreign, but older ones or even French ones aren't. Film can have a universality of language which goes beyond whichever tongue the actors might be speaking, for me it's a minor detail.

It must be really difficult for many to get into subtitled movies, but I swear it's worth it. All my sprogs have been brought up watching a lot of subtitled cinema, not as some trendy endeavour just because there's some cracking films on offer.

Something like Kurosawa's "Dreams" is just incredible, it'd be a shame for anyone to miss out on it because it's mainly in Japanese, which is such a tiny part of it.
 
ok, to elaborate on my post
the czech comedy Autumn Spring
Terminal prankster Frantisek Hána (Brodsky) refuses to grow up and take certain responsibilities, despite his wife Emilie's (Zazvorkova) constant badgering to do so. Even faced with his own looming death and an ungrateful son who wants to whisk his parents off to the old folks' home, Frantisek's wit won't quit as he vies to live until he dies.

that film could have been made in hw, its ok for first watch but nothing that czech comedy is upto.

The Ax - belgium comedy
A chemist (Garcia) loses his job to outsourcing. Two years later and still jobless, he hits on a solution: to genuinely eliminate his competition.

the same again, not very good

Lo mejor que le puede pasar a un cruasán - spanish comedy

Pablo Miralles, a thirty something social misfit, an idler, misogynist, a regular at brothels and a well-know philosopher on the Net, takes us through an intriguing conspiracy splattered with alcoholic joys, venereal pursuits and Web pages with dubious contents, as he attempts to clear up his brother’s sudden disappearance. This mysterious disappearance begins to take on dreamlike qualities and ends up taking Pablo Miralles to the Fort, an invisible citadel at the heart of the new Barcelona of the many wonders.

one view comedy again, nothing impressive.

In a survey of Czech film critics held in 1998, Marketa Lazarová was voted the best Czech film ever made. That film was made in 1967.

My gf brother likes czech communist era comedies, who is czech, i guess it might say a lot about 21st century cinema world wide if we have to generally watch older things to get enjoyment?
 
Q 'should people who like mainstream cinema be ignored?'

A No.

But people who say they dont like black and white films should be;)
 
Orang Utan said:
I love both movies and films - there's a lot of shite arthouse as well as shite blockbusters
Yes yes yes. I used to go and see most of the more 'popular' foreign films that get shown at the Curzon and so on. I've become more selective now because many of them were just as rubbish as hollywood films. Worse sometimes. Zany euro-'comedies'...
*shudders*

Hollywood gems are rare it is true, but there are a lot of films that are worth watching even if not works of geniuses. My standard measure of whether someone is a film snob is whether they like the Bourne films (particularly the first one). There's nothing groundbreaking about them but they are well made and highly enjoyable.

I do think people who say they can't be bothered to read subtitles should be ignored :p
 
I agree with Miss Peabody, Amelie is a an emetic. Something like Swimming Pool or the murder/mystery one with the grandes dames of French cinema in it for vaguely up to date French films, personally I'm more L'Eté Meurtrier (One Deadly Summer), JdF/MdS, Diva, Betty Blue meself...actually, anything with Isabelle Adjani will do me...

Was gratified to see someone mention Kurosawa's Dreams earlier too...took me about 4 watches to really, really love but I knew it was worth persevering with (also sent me off reading about Japanese legends and society too)

But I also love absolute shite - I've got some absolute horrors in my collection that I love, and are pure HW...

My standard measure of whether someone is a film snob is whether they like the Bourne films (particularly the first one).

Yeah, I'd agree with that...

Having said all that, I plan to embark on a binge of French and Italian New Wave this year...
 
What is this Foreign film that you speak of?

Is hollywood not foreign? Just being pedantic...

And Queen Latifah SUCKED in taxi...:rolleyes:

for a decent French comedy, IMHO, check out "Le Diner de Cons".
 
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