It could have done with a good edit- but the whole thing was incredible in scope. The science was fairly good as well (although that was before my science degree mind!).Started well but I got really bored of it by the third novel, could have done with a good edit (though thats true of a lot of SF).
Just ordered Years fo Rice and Salt which I'm really looking forward to.
It could have done with a good edit- but the whole thing was incredible in scope. The science was fairly good as well (although that was before my science degree mind!).
I do seem to remember some turgid 100 pages detailing one of the Russian's dirigible flights though.
Where Late the Sweet Birds Sang was written by the brilliant Kate Wilhelm (unfortunately nowadays she just writes cosy whodunnits). Connie Willis is weak by comparison.
I've pretty much given up on fantasty because there are so many dire trilogies around. I read all three Helliconia books because they were all I had with me on a rainy family holiday and they were dire. Can't understand why people like Brian Aldiss, at one time he was the only SF writer you saw on TV. Guy Gavriel Kay and Robert Holdstock write good fantasy.
I like Greg Bear a lot as well. Proper hard SF.
I'm a bit meh with GB. His style is to plodding and dry for me.
Adam Roberts on the other hand, now theres a man who can write science fiction bloody well
The Ringworld novels are great too- really imaginative. Who did them?
I dont find him too bad at all (compared to a lot of SF writers) but its the ideas I really enjoy in Bears books.
Havent heard of him, will put him on my list. Any recommended titles?
Oops. Yes, I knew something felt wrong about that. Good story though.Where Late the Sweet Birds Sang was written by the brilliant Kate Wilhelm (unfortunately nowadays she just writes cosy whodunnits). Connie Willis is weak by comparison.
You'd think with the scant number of women writing in SF I'd get that right. (For the record, Usula LeGuin has great prose but I can't stand her personally)Oops. Yes, I knew something felt wrong about that. Good story though.You'd think with the scant number of women writing in SF I'd get that right. (For the record, Usula LeGuin has great prose but I can't stand her personally)
And yeah, Ringworld was when Niven could still write. His late stuff is absolutely *awful* though.
And am I the only person who thinks Orson Scott Card is really weak? He has a habit of starting off some long, tiresome, 5 book storyline with one decent book and then not really bothering with... oh, what's that thing? Ah yes, *writing* the other four.
Niven. Yeah- they are wicked books.
The Fantasy Novelist's Exam said:Ever since J.R.R. Tolkien and C.S. Lewis created the worlds of Middle Earth and Narnia, it seems like every windbag off the street thinks he can write great, original fantasy, too. The problem is that most of this "great, original fantasy" is actually poor, derivative fantasy. Frankly, we're sick of it, so we've compiled a list of rip-off tip-offs in the form of an exam. We think anybody considering writing a fantasy novel should be required to take this exam first. Answering "yes" to any one question results in failure and means that the prospective novel should be abandoned at once.
I always found him incredibly tedious.
However theres no point arguing with nerds who read him in their teens about it. He is forever in their memory as a God among insects

Wolverton said:As a fantasist, I reject realism as a literary movement. I’m offended by the postmodern proscriptions that some of my writing professors crammed down my throat in college. Their whole approach to writing was based on blind acceptance of values that served as “defaults” for creating good literature in the absence of any other, more rational, approach.
I insist that my literary tools come from honest observation of what works in storytelling, rather than being derived from someone else’s political agenda.
The hodge-podge of literary “rules” that you learn in college will destroy your writing if you make them your master and not your servant. As writers, I believe we should study the mainstream. Learn the works of the best practitioners of our arts, study their craft. Seek to improve.
I agree with Gunn that there aren’t any editors in speculative fiction who hold with all the tenets of the postmodern realists. At the same time, there are those who hold with certain attitudes. More and more, I see authors and editors trying to establish themselves as members of some cadre of literary elite. Their work is increasingly enamored of postmodern techniques and values, and therefore becomes correspondingly mundane.
Everyone deserves good literature–the old, the young, the fantasists, the realists, the Republicans, the Communists, the Christians, the Wiccan–men, women, and people of every nationality and color.
To define any one literature as the only possible “good” to the exclusion of all others seems about as preposterous as trying to establish one flavor of ice cream as “good” to the exclusion of all others.
I’m offended by anyone who says that art “Must be done my way.”
My favourite fantasy author at the moment is Mark Chadbourn
My favourite fantasy author at the moment is Mark Chadbourn
I mebtion with praise the good works of Hugh Cook, whom out of anyone irl or internet only Brainaddict has read
Ten volume series, started with "The Wizards and the Warriors"? Read them as they came out, and have re-read them a couple of times. Some really excellent ideas - that fighter pilot school being one of them. And the Hermit Crab. And those glass Bottles.

