goldenecitrone
post tenebras lux
Middle aged man behaving badly occasionally.
Leonard Rossiter was a comic genius.
Shame he was also a wifebeating drunkard, though.
His affair with broadcaster Sue MacGregor was not revealed until long afterwards.

He was also insanely right-wing apparently.
Remade with Martin Clunes
Not sure about that tbh
So if you've seen a filmed version of say, King Lear with Larry O in it, it should never be filmed again?
Why should TV be limited to single-version shows?

Has Kevin Costner ever tried his hand with Lear I wonder? Or possibly a Baldwin brother?
Unfortunately the BBC have this uncanny knack of taking a funny premise, then sapping it of all hilarity until it becomes a stale cardboard husk of its intended concept.
BBC comedy commissioning dept needs to be completely replaced by non-Oxbridge wankers, IMO.

Unfortunately the BBC have this uncanny knack of taking a funny premise, then sapping it of all hilarity until it becomes a stale cardboard husk of its intended concept.
BBC comedy commissioning dept needs to be completely replaced by non-Oxbridge wankers, IMO.
Don't like the laughter track either 
Adam Baldwin as Hamlet: To be or not to - ah, fuck it. He killed my - *thwack! crunch! bumpbumpbump.* Father! Mom, you're a crazy woman who married my Uncle. Ophelia, you're pretty, but crazy. Laertes, what's say we go kick some ass?
Take that back.I liked it.
Robert Lindsay, for example, (think how on the edge he played in Bleasdale's dramas) to name one would have been better and I am sure there are plenty of others.
Thing is, I always saw Hamlet as a bit of a badass. OK he's weird, but you definitely get the idea that Laertes isn't too keen to cross swords with him in any sort of straight fight.
At the time it was written, there was a big fuss going on between the traditional English 'masters of defence' whose practice was basically derived from the Wars of the Roses, and a couple of poncy Italian rapier guys who were teaching the rich wankers at court. The masters of defence, most notably George Silver, really hated the court fencers, a) because they wouldn't duel with 'peasants' no matter how often Silver and his mates challenged them to fight and b) because they saw the rapier, not unreasonably, as an optimised murder weapon rather than a battle sword. Shakespeare is obviously pretty well up on all this stuff from some fairly sophisticated comments he makes, particularly in respect of the subtleties of Tybalt's fencing style in Romeo and Juliet.
Hamlet seems to me to be one of those faintly sinister, deadly, rapier guys. Too depressed and decadent to care if he lives or dies, but given Hamlet is still breathing, most likely a lot of people have died on the end of his rapier already.
There's also that thing about his deadly wit, constantly being compared to his sword. He's a badass, albeit a seriously depressed and not very sane one, not any sort of emo/goth whiner.
The canned laughter was great by letting me know when to laugh.
Didn't see Fay Ripley much.
why not just do a rerun off Reginald Perrin not likr the don't do reruns

Live audience, actually. Same as for The IT Crowd, they've just been coached to the point where the real thing sounds canned.