It still sounds as fresh and angry today as when it was first released back on August 8th 1988![]()
Times have moved on though. I mean, back then, the American police shot or assaulted black people.....
It still sounds as fresh and angry today as when it was first released back on August 8th 1988![]()

Been rinsing Onyx lately, hasn't listened to them since school...they were so fucking good, sticky fingers kills it
theres a 7 inch radio edit of backdafuck up where every swear word is replaced by the locking of a pump action gun - that means nonstop gun action making it more violent than it would be with the swearing
theres only this 1 min extract on youtube, but imagine that through the verses too - its a trip of a track
ive been looking for any kind of copy/mp3 of the full 3mins radio edit but cant find it....

its great innit! my memory is that a mate had this on seven inch when it came out and that had the radio edit on it - ive been looking for the full mix for years now - but according to discogs no such thing exists - i might have dreamt the longer versionthis clip has been making me laugh so much today. I've probably played it over 20 times now. It's amazing.
If anyones got anything essay\article wise on the decline of political influenced hip hop I'd be interested. I mean, I know PE have been making angry records for ever but from NWA- seath row records it seemed that crowd lost the anger. Somehow.
Dunno about an essay on the subject, but I'd say that the anger and politics has not to much gone away as been driven underground. I started a thread on here called 'New Skool Rappers You're Feeling' and there's quite a lot of new underground political influenced stuff posted in it. There's a documentary called 'beyond beats and rhymes' (available on youtube) that argues that the decline of mainstream political rap occurred at around the time that the major media corporations were buying up the successful independent hip hop labels. Various market forces and commercial interests militated against the more conscious stuff articulated by PE and the like...
will check the docu ta!
other than the age old fact that the pop industry markets pop music best what else is there to say? Look what happened when Radio 1 backed DnB? Pop DnB emerged because (piss)"artists" wanted to cash in.There's a documentary called 'beyond beats and rhymes' (available on youtube) that argues that the decline of mainstream political rap occurred at around the time that the major media corporations were buying up the successful independent hip hop labels. Various market forces and commercial interests militated against the more conscious stuff articulated by PE and the like...
Id like to talk this through - first of all, who up to 93 (the last year of the golden age) counts as a political or angry rap group? Was there anything that could really be called "mainstream political rap" big enough to decline? I dont think there were that many to be honest. How ever many there have been id say the same amount has remained over time.
The cold reality is political music sells less than pop friendly numbers, and all through the golden age it was non-political tracks that did the biggest business. Rap blew up so big that the pop sensibilities got exploited further and further - by the rappers themselves. The pop industry turned its wheels too of course, but thats what it does.
UK-wise, I loved Marxman but they never attained mainstream success.Other than PE, the only other reasonably well known political rap groups that come to mind are possibly Brand Nubian, X-Clan, and Disposable Heroes? Having a thinkUK-wise, I loved Marxman but they never attained mainstream success.
I often wonder how Spike Lee feels today about playing such a key role in making Nike = HiphopI agree with ska that the commercial music industry has its own structural dynamics that conspire against more politically conscious forms of rap. I'd only add that I think there are also important supply side factors at work here too in addition to the demand side factors. Aside from the world out looks of the corporate label owners, distributors and marketers that control the supply of hip hop, another pernicious influence has been all the commercial tie-ins and sponsorship. If you listen to rap tunes these days they are absolutely littered with product placement, as are the videos. Its hardly surprising that with these sort of market forces at work that most commercial rap these days is about acquiring stuff.
other than the age old fact that the pop industry markets pop music best what else is there to say? Look what happened when Radio 1 backed DnB? Pop DnB emerged because (piss)"artists" wanted to cash in.
Recently there was a theory floating around that it was the (white) majors that created gangsta rap and subverted "real" hip hop - considering this was done near single handed by Dre and Suge thats clearly bollocks.
Id like to talk this through - first of all, who up to 93 (the last year of the golden age) counts as a political or angry rap group? Was there anything that could really be called "mainstream political rap" big enough to decline? I dont think there were that many to be honest. How ever many there have been id say the same amount has remained over time.
The cold reality is political music sells less than pop friendly numbers, and all through the golden age it was non-political tracks that did the biggest business. Rap blew up so big that the pop sensibilities got exploited further and further - by the rappers themselves. The pop industry turned its wheels too of course, but thats what it does.
Is dotcoms question Should rappers in the US be angrier now than they are?
as to why didnt the Death Row camp stay angry - maybe becasue they're all multimillionaires
whatdyoureckon?
I often wonder how Spike Lee feels today about playing such a key role in making Nike = Hiphop
didnt understand, proof that what was what?And Run DMC with Adidas:
(proof actually that these things were around in the 'good old days' too - mustn't idealise them too much!)
didnt understand, proof that what was what?
oh yeah - and the tunes i remember riding high in the charts were 2 Live Crew Porn in the USA, Whistle - Bugging, That one about ametyville, The Show (which is a tune), Fight for Your Right to Party, etc etc.Proof that the commercial pressures that I'm bemoaning have in fact been there right since the early days.
Golden era shit. 1993 may well have been hip-hop's best year...