
gabi said:most DJs could never be a muso really
And I've got a DJ friend who went to music college.
I agree that this sounds harsh but I think you are in a far better position knowing the sort of person you are dealing with (and quite rightly choosing not to deal with them) than someone who writes a contract that you have a little read of and sounds nice as pie but a year down the line you get fucked up by some tricky lawyer. I see this happen with people looking for venture capital all the time. You loose both ways and you are always better off working with someone you know.Louloubelle said:He replied 'oh no. I never have written contracts with clients. If they reneg on their agreements I just some some blokes round to break their legs'.
Kameron said:I agree that this sounds harsh but I think you are in a far better position knowing the sort of person you are dealing with (and quite rightly choosing not to deal with them) than someone who writes a contract that you have a little read of and sounds nice as pie but a year down the line you get fucked up by some tricky lawyer. I see this happen with people looking for venture capital all the time. You loose both ways and you are always better off working with someone you know.
J77 said:What you need to do is make the little falshy lights flash at the same speed
(You can owe me a fiver for that top tip.)

ummm....mangakitten said:But those flashy lights don't work on Pootle's mixer... whaddawe do now???

milesy said:i've not got flashy lights on MY mixer!!![]()

PieEye said:How come you're always telling me not to be silly when you're clearly one of the biggest numptys on here? It makes me lose face.
milesy said:i'm not a fuckin' numpty![]()
the missus is gonna batter you when she sees you.


PieEye said:She never gets out to see me - you oppress her.
Oppressorer of Wives!![]()

milesy said:karma's gonna get you, MK!!!

Dubversion said:accept no fucking imitations:

milesy said:she'll get you at PROD!!!![]()
MysteryGuest said:What you need to do, young milesy, is wait till the end of an 8 (or 4) bar phrase, then catch the first kick drum on the next phrase, stop the record, pull it back a bit, then flick it in when the other tune's come to the end of an 8 (or 4) bar phrase. You can then tell pretty quickly whether it's too fast or too slow, and by (roughly) how much. That's the tip that took me from endless fafarsing about to being able to beat match in about 3 months.
