And Diane Arbus made her career on the back of studying this question, yes?
I don't know much about Diane Arbus I am ashamed to say![]()
What was her work like?
that's patheticWouldn't call this couple "beautiful"... or vain either, come to that.
But the image is lovely, yes?
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Really?! Blimey...
Very beautiful photographs of conventionally ugly, unattractive people: circus freaks etc.
Aha, I am sure I will have seen some of her work, I am very bad at recalling who took what and am "not a very well read photographer"!!
So they may conform to the "interesting" that I mentioned above, either beautiful or interesting makes a good photo, average people don't!
Most of us can judge two individuals and say that one or the other is more beautiful. We recognise beautiful things, yet we are in the main not taught asthetics so how do we know?
Is beauty a wholly cultural thing, would a beautiful english girl also be beautiful in China?
I have discovered (or rediscovered) the issue because of my photography.
Say I make a photograph, well lit and well posed of an attractive or beautiful person, people will look at the photo and say, "that's beautiful".
If I make the same photo technically speaking, same good lighting same suitable pose of an average person, people looking at the photo do not say, that's beautiful, they say other things.
They are influenced by the attractiveness of the subject when they judge whether the photo has value, despite that each photo has equal value as a representation of the individual photographed.
Which got me thinking. What is beautiful? What is not? why do I think I can make judgements myself, because like everyone we all make these judgements all the time. On what basis do we make these judgements?
Vain people are not all striving for a standard homogenised beauty. What about bodymodifiers, who may be changing their bodies to be outrageous, unattractive to the mainstream?
So is vanity about beauty? Or is it about self-awareness? Or is it some kind of neurotic hang up?
I was thinking about this last night, and I am pretty sure that as I grew up, teachers spent time teaching me maths, english and the like but no teacher spent any time teaching me what was beautiful and what not.
So how is it, that I have developed a sense of beauty that is very similar to the sense of beauty that most other British people have. How did that accident happen when we have not consciously been taught beauty?
Are we born with a sense of beauty, is it innate, or if we learn it, how do we learn it, from whom or from what?
I think if we are talking about people at least you could argue that there is a biological basis for what we find attractive. I'm wary of saying this, because it can be easily overstated. I think we tend to find symmetry attractive for example. Maybe there is something in the golden ratio thing.
More generally I find that my aesthetic tastes change when I see a work of art that's both great and novel (to me). The whole question of, "what is beautiful?", is surely open ended and more to the point consists of overlapping and perhaps even contradictory criteria. As I get older my sense of taste gets better and broader but I find it harder to put it into words. Do I need to put it into words?
Also, why conflate beauty with attraction? I think Kate Moss is beautiful, but I don't find her attractive. I tend to separate out my aesthetic from emotional judgements when simple 'looking' IYSWIM...
Yes, so, is it wrong to say that where people are concerned there may be some locked in innate or unrecognised logic in which people are beautiful, and where other things there may not be that locked in logic rather that people can decide personally what they find beautiful.
My main point is that there is a bit of a false opposition there.
Sorry, I don't understand?
Is the whole concept of beauty, shallow,> or is there a logical basis for it
At the risk of putting words in your mouth, let's ask the question, "is our idea of what is beautiful innate or do we make it up as we go along?"
It should be clear that that's a false opposition. Perhaps we could ask, "is it culturally determined?" And surely it is to an extent. But I still think you would be missing the point somehow.
I suppose ultimately the false opposition is between on the one hand saying "beauty is intrinsic to the object" or saying "beauty is in the eye of the beholder." I think the theoretical move to seperate the observer from the work creates confusion. For example, as a photographer you should know that how beautiful somebody is in a photograph is in part a function of how you present them. To see something beautiful is not an entirely passive affair, but it is also not just something you decide or your culture decides on.
Yes it's a demonstration of good genes and good health, also fitness and likely breeding success (old women aren't consider'd attractiv for example they ar also infertile). Most breeders go thru a process of selection befor getting down to the business althou nature has devised some other techniques, mass spawning for example.