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I want to start making some tunez!

I may well want to record live stuff, my girlfriend is very good at playing many instruments, drums, keys, bass, sax and a lot more so there is a real possibility that we may work together on some stuff
get yourself a sm58. it's a good all-round cheapish dynamic mic for recording instruments and vocals.
 
do you not plug say, guitars and what nots directly into the soundcard?
you can no probs. there are plenty of plug-in amp simulators available. an e guitar just di'd sounds flat and boring.
but for sax, acc guit, etc etc you obviously need a mic. it's always handy to have one around.
fwiw, I never di guitars, but then I have a decent collection of amps.
 
Why would you get a legit copy over a cracked one?

Well a few reasons really.

You buy a new laptop, and straight away you fill it with dodgy pirated software?

Also, its all too easy to give up when you haven't spent the money on the software. Buying it makes you more committed to use it.

And cracked software fucks up a lot and you can't get the updates....etc.

And its just generally a bit of a shitty thing to do really.
 
Well a few reasons really.

You buy a new laptop, and straight away you fill it with dodgy pirated software?

Also, its all too easy to give up when you haven't spent the money on the software. Buying it makes you more committed to use it.

And cracked software fucks up a lot and you can't get the updates....etc.

And its just generally a bit of a shitty thing to do really.


Yeah, i was think some of those points, esp about the updates and maybe future pug-ins etc.
 
a friend has recommended a lenovo t430 as a good laptop to produce on, he reckons a second hand one can be brought for around 350


any other laptops i should have my eye on, (budget around 350)?
 
Dont know about the laptop but would agree about having external hard drive.If the laptop is only for music then wipe what u can and only have on it what u need. It will run much better
 
I can second the Audio Technica ATH-M50s, I have a pair and really like them. I just use them for listening to music though.
 
Midi controller / keyboard.

Example Novation X-Station. They don't make them any more, but similar models. Has built in synth, soundcard, 2 X XLR / 1/4 jack inputs, SPDIF out, USB output or 1/4 jacks, semi weighted keys, loads of knobs and faders. Built in control surface templates for various synths. Comes in nice portable 25 key models too.

I'm not convinced there is anything that represents quite such good value around these days, at least in terms of that combo of features. But at least the quality of the knobs and faders on this class of device has improved in the intervening decade. I was dead happy when I discovered that my old x-station 25 has class complaint midi and audio so works with the iPad etc. But one of the keys doesn't seem to work anymore and the controls just don't feel great to use. Audio quality still sounds pretty darn good though.

I know I just mentioned it on another thread the other day, but if I were about to start building a relatively cheap setup for Ableton, this would tempt me as a controller:

 
To the OP.

If you have any spare money left over buy Maschine Mikro, smaller and cheaper than it's big brother Maschine MKII or Maschine Studio. It's a fantastic piece of kit, very versatile. It integrates well with Ableton too or Logic if you go down the Apple route.

http://www.native-instruments.com/en/products/maschine/production-systems/maschine-mikro/

Tightly integrated hardware and software, when done right, can certainly lead to a workflow that really changes the whole experience, making everything a lot more fun and really quite a different experience to using a computer with a mouse.

I had the original Maschine not long after it came out and I was impressed, although its taken a good while for the software to get enough features to keep people happy. The newer top-end model looks great, shame about the price. Most competitors will take a while to catch up with sort of integrated product, though quite a few are trying and the competition between them should lead to this stuff maturing nicely over the next few years.
 
I know I just mentioned it on another thread the other day, but if I were about to start building a relatively cheap setup for Ableton, this would tempt me as a controller:



would you get one of those over an akai apc40?
 
What you actually need is this:

100820142779.jpg
You then need to spend 30 minutes setting it all up.
20 minutes trying to blag some earphones off of someone else.
Another 30 minutes making sure all your settings are right.
Then you play an old skool sounding acid house backing track and everytime you twist a knob or press a button that warps the bass or inserts a noodly squeak you need to look up at you friend who is standing close by and smile like a excited kid with a new toy. 'Did you see, did you see what I did?'

I learnt all of this today so thought I would share it with you here. :D
 
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Tightly integrated hardware and software, when done right, can certainly lead to a workflow that really changes the whole experience, making everything a lot more fun and really quite a different experience to using a computer with a mouse.

I had the original Maschine not long after it came out and I was impressed, although its taken a good while for the software to get enough features to keep people happy. The newer top-end model looks great, shame about the price. Most competitors will take a while to catch up with sort of integrated product, though quite a few are trying and the competition between them should lead to this stuff maturing nicely over the next few years.

Yeah I am an original Maschine owner too, well Mikro owner. In the early days the product was a lot more sparse than it is now, though it was very usable.

The Maschine Studio (new model) looks fantastic, it's just too damn expensive IMO, whilst it does have more features than the earlier models, the price difference has put me off upgrading.

Maschine is great though, I tend to use it purely as a sketch pad in the sense that I create my rhythmic beginnings with it/drum tracks.
 
& if you're going to get Ableton, check online for discounts, & if they don't have any currently, do you have any links to people involved in education- so students in higher education or teachers? As you get quite a hefty discount, as long as somebody in authority (e.g.. the headmaster) vouches for who you are.
 
Ive been an ableton fiddler for a while, and I've learnt the basics without any hardware kit (except bass tones, I just can't get them to sound right, even when I follow the videos to the letter).

The only things I've been tempted to invest in are a mini midi keyboard, and a maschine (or version of).... but actually Id really like to learn to use a maschine live, like jeremy ellis

http://djworx.com/jazzy-jeff-jeremy-ellis-roots-super-mario/
 
would you get one of those over an akai apc40?

Sorry for long delay in replying.

Depends on my budget and my exact control requirements. I haven't much doubt the APC40 controls will feel a bit nicer though, since all this series of novation controllers have the budget feel, though still a lot nicer than how similar budget devices would have felt a decade+ ago.
 
finally......

I did it,

11075256_10155340815860154_9103392043986581853_n.jpg


well almost, I have to wait til next month before I can afford to purchase a copy of ableton.
 
Why not just get Reaper instead? Its only about £30 or so.

It doesn't come with a synth or sampler, but theres loads of good free ones around.
 
Why not just get Reaper instead? Its only about £30 or so.

It doesn't come with a synth or sampler, but theres loads of good free ones around.


As I have said elsewhere in this thread, I have used Ableton previously so I am familiar with the software and a lot of my friends also use it so it'd be good to share experiences with them
 
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