For me, I need something lightweight and comfortable so the ideal set would be the Sennheiser HD 25 II - but there's no way they're worth £144 pound more than these basic Sony cans for a tenner.
I've learnt that if you're mixing a live band you definitely do need decent headphones. My cheapo ten quid Numarks are fine for DJing, but when you can forget all about it when you're trying to listen to a DI'd bass guitar or tweak a bass drum through the desk!I've never really got why DJ's need super expensive headphones - having used many different types ranging from £10-£100, I can honestly say, as long as they are loud enough, durable and comfortable - there's not much between the top end ones and the cheaper ones except for looks.
I've learnt that if you're mixing a live band you definitely do need decent headphones. My cheapo ten quid Numarks are fine for DJing, but when you can forget all about it when you're trying to listen to a DI'd bass guitar or tweak a bass drum through the desk!
I don't mix through headphones, but if you're trying to isolate a channel or find a problem mid-set, you definitely need a pair of cans. That's why you see sound engineers using them everywhere.The advice from the experts is that you should never mix through headphones.
I don't mix through headphones, but if you're trying to isolate a channel or find a problem mid-set, you definitely need a pair of cans. That's why you see sound engineers using them everywhere.

I've never really got why DJ's need super expensive headphones - having used many different types ranging from £10-£100, I can honestly say, as long as they are loud enough, durable and comfortable - there's not much between the top end ones and the cheaper ones except for looks.


Well pricey though at £90.The HD 280 Professional is a closed monitoring headphone for true professionals. Their very high level of insulation against ambient noise makes them the ideal headphones for DJs or for loud outdoor transmissions. Fold-up and swivelling earpieces ensure space-saving transport. Black finish.
Features:
* Closed, dynamic stereo headphones
* Accurate, linear sound reproduction for critical monitoring applications
* Optimum impedance ensures universal compatability
* Space saving design features collapsible, rotating earcups
* Up to 32 dB of ambient noise attenuation
* Neodymium magnets for high maximum SPL
* Single-sided, coiled cable with 3.5 mm mini jack with locking 1/4" adapter
* Very comfortable, even if used for long periods of time
* Rugged construction with user-replaceable parts
Technical Data:
* Frequency response: 8 - 25000 Hz
* Weight w/o cable approx: 285g
* Jack plug: 3.5/6.3 mm stereo

They are a little, err, lively, aren't they?http://www.amazon.co.uk/Skullcandy-...4?ie=UTF8&s=electronics&qid=1247446918&sr=8-4
(oh and there are some black ear pads with them as well so I can avoid looking too much of a twat when I'm wearing them . . .)

For me, I need something lightweight and comfortable so the ideal set would be the Sennheiser HD 25 II - but there's no way they're worth £144 pound more than these basic Sony cans for a tenner.
i need new cans, my DT100s aren't loud enough* and the connector now crackles. a beyer dynamic cable with connector is £30 so i might as well go all the way. i absolutely adore my mate's sennheiser HD280s, comfy, loud- basically fucking awesome. my DT100s are 400ohm iirc,

They are a little, err, lively, aren't they?
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- fortunately I have a decent pair on sennheisers for my portable audio so I'll only look like a complete Barley when I'm playing out 