thats exactly how bad literary rip off jobs work. Well done you.
Oh do fuck off, you patronising twat.
thats exactly how bad literary rip off jobs work. Well done you.
good for kids, i suppose, but badly, clunkily and derivativly written. Artemis Fowl has so much more joy and has an anti-hero in the role you're rooting for.
So which children's books don't deal with themes such as orphan/loss of parents, rescue, good v evil, danger/heroism, etc?
I like the Artemis Fowl books, but the writing is absolutely dire, especially in the first book, and the characters are about as deep and detailed as Jade Goody's geography knowledge; it read to me like a book written by a ten-year-old instead of for ten-year-olds. But the ideas in it are great, which saves it, and the later books get better.
Lots of kids books have very similar plots, and lots of fantasy stories do too. Star Wars and Harry Potter have pretty much the same plot as Le Morte D'Arthur, which probably has the same plot as a dozen earlier stories. It's just a standard plotline for fantasy, not a rip-off; the details are what count.
It's amazing, really. With the criticisms people (most whom have only read a bit of the first book) level at Harry Potter, you'd expect it to have been a complete flop.
Yes of course. It's been stated already that modern kids fantasy riffs from mythic cycles. The issue with Potter is that Rowling is very obvious in the plundering and plodding this-and-then in the writing. Honestly I know of far better written kids fic and so do you
I just don't like bad writing. The Darren Shah books are better, because they are far more honest. Potter sells, but that doesn't grant it the status f good childrens fic imo
Artemis Fowl has so much more joy and has an anti-hero in the role you're rooting for.

Me tooI loved em......

I don't think it is that obvious.
True about the writing style; Dahl, for example, is a far, far better writer in terms of style (and everything else as well), but he's aimed at a slightly younger age group.
HP is aimed squarely at 9-12 year olds, plus slightly older if they're not all that good at reading. People outside that age range can enjoy it, of course, but they're still not the core audience. A lot of fiction for kids that age suffer from the same problems as HP, not because the writers are copying Rowling, but because it's a difficult age to write for.
I didn't like the characters in the one Darren Shah book I read, and it was too strongly fantasy for me, if you see what I mean.
Selling a lot doesn't make it good, but it does mean that there must be some appealing elements about it. I loathe the Da Vinci code, but I have to admit it does well at what it aims to do - otherwise it wouldn't have sold.

Hmm. Maybe. I would never patronise my reader in the way Rowling does. I have annoyance for Pullmans handling of teenage characters also. I think adults writing kids fic sufer from a romaticised or formalised view of how it was.
Fine. That doesn't mean we shouldn't revere people who writ well for that demographic. If Anything they deserve beter than Potter.

Yeh as a fantasy/sf fan I do often value fiction in a way contrary to the non lover of such.
Da Vinci Code sold for many reasons. The quality of writing was not one of them![]()
They weren't teenagers in HDM. They seemed quite realistic for the 11-year-olds they were supposed to be. What about them seemed romanticised to you?
When you like the plagiarism in a book you call it riffing.But Northern Lights and Subtle Knife built a universe, built characters, Riffing on paradise lost, the nature of dvinity etc.
When you like the plagiarism in a book you call it riffing.
again, if it's well written I can live with it. If its done well you should have to analyse to find the borrowed elements, themes and influences.