Orang Utan
Maybe I like the misery
maybe west cornwall then? que ?
maybe west cornwall then? que ?


Hang on, the new Assault on Precinct 13 was actually a decent film (although unnecessary).
That's what bothers me.Bedazzled.
First time ace with Peter Cook as the devil, second time shite with Liz Hurley (what a cow).

edit to add the lavender hill mob with tom hanks

They can't remake it properly because there is no way to recapture the essence of what made them so good in the first place. It's a happy combination of circumstances -- script, actors, director, set, the period of time it was made, the style of moviemaking and so on.
Also a lot of great old films were great precisely because they were given time to breathe. These days you can't have a five minute scene without much happening -- it has to have explosions and chases and sex and witty one-liners. But you don't get the real character-driven magic like that.
When Tom Hanks stars as Don Vito Corleone with Tom Cruise as Michael Corleone I will hang up my film boots....
I tend to just ignore the fact that they exist most of the time.
Although I (like others) am guilty with films like Twelve Monkeys as the original it was based on had never come to my attention.
I really like Twelve Monkeys which I know is often not many peoples feeling.
We all wish they wouldn't bother.
And yet somewhere along the road, I've ended up seeing the remakes of Planet of the Apes, The Italian Job, Stepford Wives, the Ladykillers and most of the others on this thread. So who can I blame?
First one good second shite
The Blues Brothers.



that's a sequel. 'shite sequels' is a whole other predictable pub topic.
yourself.
Hollywood has always remade movies, sometimes it does it better, sometimes it does it worse. Sometimes even the worse ones introduce new viewers to the originals, which is better than them never being viewed.
Sleuth.
The original Caine/Olivier film is brilliant. Great dialogue, good acting, and Olivier and Caine spark off one another.
The Law/Caine remake is stodgy, Jude Law (as usual) is dead-faced and has the emotional range of a kangaroo scrotum, and poor old Sir Michael is left hanging by the script having some of the Olivier lines excised in the re-make.