Vintage Paw
dead stare and computer glare
I really enjoyed it.
I'll admit, it got me rooting for Mary by the end of it, against that odious Hugh
I'll admit, it got me rooting for Mary by the end of it, against that odious Hugh


I shall watch this in iplayer or catch a repeat. Thouroughly distastful women. I met one of her sons over an extended period last year who provided an insight into growing up with her which didn't make pleasant listening.
That nice Mr Enoch Powell.Who's next I wonder?
That nice Mr Enoch Powell.
I agree. It was watchable but i was a bit disappointed.It was a little too sympathetic to her for my liking - although there were hints of what a poisonous woman she was.
That nice Mr Enoch Powell.

Was that Norma being canvassed at her door?Then I remebered that if she got her way, we wouldn't have Shameless.![]()
yes, though they done a documentary about how he was right after all only recently.
So it'll have to be Sir Oswold Moseley
This is why you can't make drama out of nasty people's lives. On some level dramas need the viewer to sympathise with the main protagonist. Otherwise you don't care what happens to them and no dramatic tension can build.I really enjoyed it.
I'll admit, it got me rooting for Mary by the end of it, against that odious Hugh![]()
I've looked but can't find any info about a repeatI missed most of this cos of the football. Is it being repeated at all?
She and Ernest were members of the Oxford Group in the 1930s.

... are you sure? I thought the Oxford Group was way too posh/snobby for lower middle-class types like the Whitehouses..![]()
but it was a similar feeling of not wanting to feel any sort of affinity, identification or sympathy with the main charachter of the biopic.Mary first met Ernest when she went to a meeting that he was addressing as a member of the Oxford Group. 'In 1935 she became a member of the Wolverhampton branch of the Oxford Group' and they remained connected with Moral Rearmamament until Ernest's illness in 1956. (Max Caulfield, Mary Whitehouse, Mowbrays, 1975, pp.35-36)
It's that background that makes sense of her obsessive anti-communism in the 1960s and '70s.
