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Film that you think are shit that everyone else loves

oh, i must've misunderstood.

no - i think he's a good director and a good writer.

a bit of an annoying nob though.
 
Orang Utan said:
Mation likes acid techno. Say no more :p
Yes I do. :cool:

I'd like to take this opportunity to remind everyone that you like Queen and Phil Collins. :p
 
NB: In This Post We Do Not Talk About The Ladykillers.

Donna Ferentes said:
There is always a clever-clever aspect about Coen films (and pastiche in general) which is liable to get severely on the nerves unless there's more to it than that. In Fargo there is: in some of their other films, there isn't.


i don't know if that's entirely unfair - which isn't the same as it being entirely untrue.

Some of the films are predominantly pastiche - like Hudsucker Proxy. Its pastiche is really obvious and there's not a WHOLE Lot more to it than that. But it's actually quite a sweet movie, there's some (admittedly sentimental) heart to it, and it's very funny. That's probably the worst offender, I guess, but I still really like it.

And for every 'lighter' movie you have something like Millers Crossing or Barton Fink or The Man Who Wasn't There, all very dark and interesting movies that are so much more than just a genre exercise..
 
Stop embarassing me, OU! :mad:

Post-80s Bowie = :cool:

it wasn't Bowie's fault that 80s production was so... 80s. (((Bowie)))
 
Dubversion said:
Some of the films are predominantly pastiche - like Hudsucker Proxy. Its pastiche is really obvious and there's not a WHOLE Lot more to it than that. But it's actually quite a sweet movie, there's some (admittedly sentimental) heart to it, and it's very funny.
It's anything but sweet. The lead character is a scheming capitalist idiot who gives short shrift to the bellboy when he's made it. That the wise-cracking journo should fall for him is pretty unbelievable, and anyway, they're both horrible so them living happily ever after is anything but sweet.

BTW I was surprised by how much I liked their remake of The Ladykillers. They didn't try to copy the original, but came up with their own characterisations. I hate to say this, but I think it worked.
 
Reno said:
Tarantino makes films about films and his work is derivative but that's the very point of what he does. The 60's and 70'sm exploitation films he loves form the backbone to everything he does and are his subject matter. It would be the same as calling Andy Warhol being derivative of the Campbell's Soup can design simply because he chose that as his subject matter for his most famous print.

Tarantino is the Amy Winehouse of the Film World.

I did like Pulp Fiction though, but that Kill Bill, that was just dul, dull dull, especially Part 2 where I had to endure what felt like hours watching Uma stuck in her own grave, doing nothing!! if it was supposed to be some kind of joke, I didn't get it.
 
Donna Ferentes said:
LA Confidential suffers from having two leading men who closely resemble one another, causing serious confusion in the minds of the audience as to who is doing what.

It also suffers from a bugbear of mine, the ludicrously over-the-top shootout, in which a degree of firepower is used which would normally be appropriate for the levelling of a small town. See also Heat in which the battle in the plaza alone sees more explosive action than was experienced by Vietnam during the period of US bombing.

I saw an extremely good documentary once about James Ellroy, the writer of LA Confidential, it started with him telling this story about going into a Blockbuster store one day, and this little old lady recognised him, "Your James Ellroy aren't you?, she asked in her little old lady's voice, "Well, yes, yes I am" replied James, slightly taken aback, "Oh I just loved that film, LA Confidential", "Oh good, good", said James, "I have watched that film 3 times already", said the old lady, "Kevin Spacey was magnificant", James agreed, "yes, yes he was", "and Kim Basinger, so beautiful", James nodded, "yes, yes she was, but tell me Grandma, after you saw the film, did you go and buy my book?", the old lady paused, "well, no, no I never did", to which James Ellroy said "well what the fuck good are you to me then Grandma" :D :D :D
 
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