No, but I didn't much like it either and I think it might have to be marked down as "of its time".Mation said:Anyway... A Clockwork Orange - more shit!
Mation likes acid techno. Say no moreDubversion said:well that's most of my favourite movies discounted in one post![]()

Yes I do.Orang Utan said:Mation likes acid techno. Say no more![]()


Orang Utan said:Mation likes acid techno. Say no more![]()

Hey I like a lot of 80s Bowie too! Played Let's Dance at a party on Saturday - it rocked!Dubversion said:actually yeh, enough said.
And post-70s Bowie. Which is the killer blow![]()
Donna Ferentes said:There is always a clever-clever aspect about Coen films (and pastiche in general) which is liable to get severely on the nerves unless there's more to it than that. In Fargo there is: in some of their other films, there isn't.
Mation said:Post-80s Bowie =
it wasn't Bowie's fault that 80s production was so... 80s. (((Bowie)))

It's anything but sweet. The lead character is a scheming capitalist idiot who gives short shrift to the bellboy when he's made it. That the wise-cracking journo should fall for him is pretty unbelievable, and anyway, they're both horrible so them living happily ever after is anything but sweet.Dubversion said:Some of the films are predominantly pastiche - like Hudsucker Proxy. Its pastiche is really obvious and there's not a WHOLE Lot more to it than that. But it's actually quite a sweet movie, there's some (admittedly sentimental) heart to it, and it's very funny.
Dubversion said:So he didn't actually WRITE the Tin Machine stuff then?![]()



Ah, that gives me an idea...littlebabyjesus said:That the wise-cracking journo should fall for him is pretty unbelievable
Reno said:Tarantino makes films about films and his work is derivative but that's the very point of what he does. The 60's and 70'sm exploitation films he loves form the backbone to everything he does and are his subject matter. It would be the same as calling Andy Warhol being derivative of the Campbell's Soup can design simply because he chose that as his subject matter for his most famous print.
Donna Ferentes said:LA Confidential suffers from having two leading men who closely resemble one another, causing serious confusion in the minds of the audience as to who is doing what.
It also suffers from a bugbear of mine, the ludicrously over-the-top shootout, in which a degree of firepower is used which would normally be appropriate for the levelling of a small town. See also Heat in which the battle in the plaza alone sees more explosive action than was experienced by Vietnam during the period of US bombing.

Mation said:
Tin Machine were great!
They were, too!
I win the derail

Watched this last night. It wasnt great. I hdreally high expectations.Papingo said:Brick