BadlyDrawnGirl
Piano Tuna
The male/female vocal dynamic worked exceptionally well in the days of buzzsaw indie rock circa 1985 - 1988 I feel. The finest example is possibly MBV's 'Isn't Anything' and the way that Bilinda Butcher's blissed out tones wrap themselves around Kevin Shields' barely-there musings.
See also the way Amelia's feathery additions on The Wedding Present's classic 'George Best' complemented David Gedge's gravelly angst perfectly - like honeyed tarmac - and The House Of Love's first four singles featuring Andrea Heukamp.
See also the way Amelia's feathery additions on The Wedding Present's classic 'George Best' complemented David Gedge's gravelly angst perfectly - like honeyed tarmac - and The House Of Love's first four singles featuring Andrea Heukamp.

There's the Sinatra one - is there another one?