Kanda
Diving wanker
Skim said:And when you watch a DJ on a laptop, it's like watching someone check their emails.
am not a fan either but have you seen Sasha and his Maven controller??
Skim said:And when you watch a DJ on a laptop, it's like watching someone check their emails.
perplexis said:I was going to mention exactly this one- the way the beat drops and rolls out at the end of Mirror... is proper![]()
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The bit in Richie Hawtin's Decks, Fx & 909 where he bangs out Nitzer Ebb, for example- shouty industrial in the middle of techno without disturbing the mix (in my eyes).
ddraig said:can't think of many sets not mentioned allready atm but that series of 'timelines' OU posted are amazing as is jerome's 'ear stretch'. also jerome playing one time at the arches blew me away, so effortless. same with the dexorcist as well.
one time i saw him at the dungeons and he opened and closed his set with orbital's "chime" - i love it when DJs do things like that 
yeah of course but i meant he was literally the only proper vinyl DJ at the whole eventNinjaboy said:but dj rupture is a fucking genius
there are a lot of fucking excellent djs on that scene, but rupture is something else
Ninjaboy said:i don't think that computers take the skill out of djing at all. my friend learned to beatmatch with one night and lots of speed, the 'skill' bit of dj'ing is really overrated. it's all about finding tunes and playing the right tunes
you can still be a shite dj on a computer with every beat matched to the 1000th of a second.....if you are playing a straight house set etc then you can do it loads easier on a computer, but picking the tunes is the skill

you should check out one of our big nights at newcastle uni some time, 4 rooms with techno / breaks type stuff in the main room, live bands like the baghdaddies, Guessmen / lost vagueness type stuff in the 2nd room, the nstuff like reggae, acid house, hip hop, breaks, old skool rave, ceephax acid crew type stuff in the other 2 roomspk said:LOL, I was doing that 15 years ago!
"Eclectic" seems such a daft word.
When this scene started properly in 88/89 - there weren't enough house records around to do an all night set at the same tempo, which is what people wanted - so to break it up a bit you'd be playing Izit's "Stories" and Snap's "The Power" and similar stuff on a very slow tempo, compared to the Nitro Deluxe and whatever acid you had to play.
So every party was "eclectic" - and the drugs were better too.
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If you ask me it was when people only insisted on playing the same genre all night, and the term "purist" came about, that the scene started to get fucking boring.
Best all-nighters were the Megadogs, where you'd have bands and DJ's playing vastly different stuff, you don't get much like that these days, more's the pity...

free spirit said:you should check out one of our big nights at newcastle uni some time, 4 rooms with techno / breaks type stuff in the main room, live bands like the baghdaddies, Guessmen / lost vagueness type stuff in the 2nd room, the nstuff like reggae, acid house, hip hop, breaks, old skool rave, ceephax acid crew type stuff in the other 2 rooms![]()
appologies for plugging, just PK set it up so well I had to respond![]()
Boogie Boy said:I disagree with you there Ninj, I've watched a few lap top types and from what I have seen and heard the level of technical skill involved with something like Ableton is not the same as being faced with two or three decks, even limiting the comparison to straight 'beat matching' sets. And that is without considering basic scratching, cutting etc.
I think that the skill level of dj'ing should not be taken for granted, but I have to accept that increasingly the technology is moving forward in such a way as to render my position to that of 'old school type vinyl purist'.
C'est la vie!
BB![]()
milesy said:i am currently listening to jerome hill's "burning decks" mix for resonance fm...fuck me it's good![]()

milesy said:

DJWrongspeed said:am so glad someone archived that Jerome Hill mix properly, I think he did that set for ResonanceFM very early on before we were recording things properly. Sweet of him to pop by.
I remember quite clearly standing in the arch at elephant in the early days going "yes, yes, yes" as the music spun in all directions effortlessly. Shame there was no-one else there at those early arch Unsound parties.


ddraig said:i was at one! and loads of others
it was either pk then jerome or jerome then pk
and loud1 was there n all!
milesy said:
But maybe it's a bit too all over the place to have a good dance to.I've heard him play Crazy In Love and Relight My Fire though - he throws in something like that in most sets.Dubversion said:well i don't think i'll ever hear Jeff Mills throw down a Sean Paul tune (or Shaka a Jeff Mills tune) but what he does is a whole different order of DJ-ing really
Skim said:I would love to throw some nifty turntablist moves into a set, but I want to master the art of perfeect beatmatching before I attempt anything more. I'd like to be able to do rewinds most of all.
