spanglechick
High Empress of Dressing Up
I can see the concept of bringing D to the 21st century is interesting, but it weakened the adaptation of the original text, and should have been left as a conceit for the Inevitable Second Series.
The Van Helsing descendent wasn’t allowed to exist at all, because our satisfaction demanded Agatha as nemesis, so a unjustified plot contrivance involving drinking the blood was required in order to sort of bring her back.
Plus, having a Lucy from the modern day enabled Moffat to do his trademark dirty old man objectification, creating a character with no internal consistency or plausibility. (Far easier to believe in a very young Lucy Westenra who is full of life but willing to marry, and naive enough to be in thrall, when she’s living in the 19th century lower aristocracy).
The Van Helsing descendent wasn’t allowed to exist at all, because our satisfaction demanded Agatha as nemesis, so a unjustified plot contrivance involving drinking the blood was required in order to sort of bring her back.
Plus, having a Lucy from the modern day enabled Moffat to do his trademark dirty old man objectification, creating a character with no internal consistency or plausibility. (Far easier to believe in a very young Lucy Westenra who is full of life but willing to marry, and naive enough to be in thrall, when she’s living in the 19th century lower aristocracy).


