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Deeply racist twat Mistabishi caught miming!

EDIT- I thought I'd keep it anonymous, but I think Objekt deserves a mention for that. The funny thing was because he lives in Germany, I assumed he was German & his surname is very German-sounding, so I went to great lengths to compile an email in German about it, for him to get back saying he didn't understand it because he's English.

Your German must be pretty good!
 
I was wracking my brains trying to remember where I'd heard of Mistabishi from in the past. Turns out he was in some long Sonic State youtube video showing off a Korg Electribe about 3 years ago. And I remembered it because of how awkward he seemed in the video.

Anyway fuck his appalling beliefs, and who will touch him with a bargepole now? Not that I care, but is he doomed to a career of doing Morrissey remixes from this point on?
 
Not sure how you send a download back to a producer. Any ideas? That's not strictly true. I once bought a download from a music website & found it to have a really annoying click through its entirety. When I complained, the site said it's how the producer intended it to be. So, I sent an mp3 of it to the producer, who instantly got his manager to send me the full 24bit wav. You don't get better customer service than that.

Did you miss the word vinyl in my post? :confused: As for MP3's...easy to do a remix of his...nice voice over/rap/singalong calling him a racist cunt would suffice.
 
He posts under his own name to...Nice.

26733872_107799976697672_4175535033127119426_n.jpg
 
He posts under his own name to...Nice.

26733872_107799976697672_4175535033127119426_n.jpg

What a plum. Obviously the whole debate (ongoing for the last 30 years) about the cultural specificity of IQ tests, has passed this fucker by. Bet he wanks off while reading a copy of "The Bell Curve". :facepalm:
 
What a plum. Obviously the whole debate (ongoing for the last 30 years) about the cultural specificity of IQ tests, has passed this fucker by. Bet he wanks off while reading a copy of "The Bell Curve". :facepalm:
Nah he just looks at the pictures

Judging by his posts he's at best semi-literate and deeply ignorant
 
Dnb has sadly been 95% white since 1998.
im surprised to read those words...I hadn't noticed that... but i guess you must be right (whatever the precise numbers are).. Kool FM and parts of the DnB circuit still have significantly more POC involved as DJs, but when i look at producers.... and back in the day it felt about 50/50.
Yeah those off shoot sounds like big room Hospital stuff and the Neuro/tech/noisier jump up side of things always seemed to be pretty much only white people involved, but looking across to what I think of as the proper core of the scene...yeah i guess things have changed.

the more i think about it though this seems true of pretty much all electronic dance music genres...im wondering what the reason for that is. I guess one factor is that dance music has spread way beyond (ethnically mixed) inner city areas and gone big across the country and Europe and the US and has got so many more people involved in production. I was listening to a really strong compilation called Garage Future on Jeremy Sylvesters label (Urban Dubz) last night and its got mainly (white) contributors from Netherlands Belgium France the US and Birmingham on it. 85% white is representative of the English population, so maybe it shouldn't be that shocking...but it does seem strange to me still that there's been that much of a change.
 
im surprised to read those words...I hadn't noticed that... but i guess you must be right (whatever the precise numbers are).. Kool FM and parts of the DnB circuit still have significantly more POC involved as DJs, but when i look at producers.... and back in the day it felt about 50/50.
Yeah those off shoot sounds like big room Hospital stuff and the Neuro/tech/noisier jump up side of things always seemed to be pretty much only white people involved, but looking across to what I think of as the proper core of the scene...yeah i guess things have changed.

the more i think about it though this seems true of pretty much all electronic dance music genres...im wondering what the reason for that is. I guess one factor is that dance music has spread way beyond (ethnically mixed) inner city areas and gone big across the country and Europe and the US and has got so many more people involved in production. I was listening to a really strong compilation called Garage Future on Jeremy Sylvesters label (Urban Dubz) last night and its got mainly (white) contributors from Netherlands Belgium France the US and Birmingham on it. 85% white is representative of the English population, so maybe it shouldn't be that shocking...but it does seem strange to me still that there's been that much of a change.

Wasn't the late 90s, 96 onwards the era of those massive superclubs?

That might have a lot to do with it.

kuduro/bale funk/ghettotech/crunk and even some rnb are electronic dance music to me but i know what you mean, that post-disco house/techno continuum was able to spread in ways that the aforementioned wasn't.

what about american ragga jungle? that one is odd, white guys almost exclusively init?
 
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