Louloubelle said:I give up
promise?
i don't care one jot about this stepson. only an imbecile would claim that Christianity is not the abiding theme of the Narnia chronicles.
Louloubelle said:I give up
jodal said:Aslan is the bollox in the new film.![]()

Yeah, I just saw it as a good story when I was a kid, I was watching a few clips on the news this morning and I just burst out laughing though - a talking lion ffs.onenameshelley said:i think you were a very smart child Dub because most of my friends kids (ranging from 3-9) wouldnt see it like you do/did, they just see a magical story. I didnt see it like you did either babes, i was more like foo, sat in a wardrobe with a flashlight trying to work out why my shity mfi wardrobe wasnt letting into NarniaBut then again i was a simple child and stories were just that, they didnt have some greater deeper hidden meaning.
*preys she has a simple child*![]()
. The characters look to have been harry potterified, which isn't a good thing.pootle said:Slightly OT but what does passive aggressive mean? Someone said I was it once. Am I?

Slightly OT but what does passive aggressive mean? Someone said I was it once. Am I?

Dubversion said:but they DO, shells. they ALL do. Fairy tales, nursery rhymes, kids stories, they ALL have a greater deeper hidden meaning. which is fine, but it just means people should be free to expose and criticise those meanings.
Dubversion said:but they DO, shells. they ALL do. Fairy tales, nursery rhymes, kids stories, they ALL have a greater deeper hidden meaning. which is fine, but it just means people should be free to expose and criticise those meanings.

Yes. I think they encouraged my already pretty active imagination as a child. I will point out that as a child I didn't object to the xtian theme running through them (which I fully realised: age 8) as I was a xtian (at the time). That doesn't mean that one cannot adore the fantasy, story lines, pure genius. Hidden meanings of course should be criticised and exposed but forgetting that for a minute; as a work of fantasy the books are superb.Dubversion said:care to expand?
how do you know that the deeper meanings aren't taken in subconsciously? that is, after all, what they are designed to do.foo said:yeh, but Dub - can't you also see that a lot of children (ok, not you when you were a kid), just enjoy the imagery and storylines without taking on board the deeper hidden meanings?
or do you think that these hidden meanings actually do damage to children in some way?
i'm trying to see your pov here.![]()
Fruitloop said:Adopting a withdrawn or defensive attitude as an expression of internalised anger or aggression. And no, not obviously.![]()
Geri said:I must admit that the Christian allegory (is that the word?) passed me by completely as well! I'm not too familiar with the bible though, maybe that's why.
not convinced by that either, there's much better stuff out there, they just have a 'history' of being great children's books, so they must be.Vixen said:as a work of fantasy the books are superb.
The acting from the kids is really bad and cheesy but the effects and the story and the laughs make up for it imho. Look out for Ray Winstone and Dawn French as cockney beavers, F***ing funny.RenegadeDog said:That's good. He looked like utter piss in the old BBC version. Even as a 13 year old that didn't impress me one bit. Damn cheap BBC budgets!![]()
belboid said:how do you know that the deeper meanings aren't taken in subconsciously? that is, after all, what they are [idesigned[/i] to do.
I mean, i never noticed all the hippy-shit subtext in Michael Moorcock books when I was a kid, but they still damaged me greatly and gave me an unconscious desire to listen to Hawkwind.
belboid said:I mean, i never noticed all the hippy-shit subtext in Michael Moorcock books when I was a kid, but they still damaged me greatly and gave me an unconscious desire to listen to Hawkwind.

onenameshelley said:Yes of course people can criticise what they like i just think its daft when its a kids story.
I hate bloody arguing so i am buggering off to eat me sarnies and flick bogies at Vivienne.
Dubversion said:promise?
i don't care one jot about this stepson. only an imbecile would claim that Christianity is not the abiding theme of the Narnia chronicles.
interview said:Q. You're not alone in attacking Lewis but you are really vehement in your criticism. You've called his books 'detestable'. Why do you feel so strongly about them?
A. Because the things he's being cruel to are things I value very highly. The crux of it all comes, as many people have found, with the point near the end of the Last Battle (in the Narnia books) when Susan is excluded from the stable. The stable obviously represents salvation. They're going to heaven, they're going to be saved. But Susan isn't allowed into the stable, and the reason given is that she's growing up. She's become far too interested in lipstick, nylons and invitations. One character says rather primly: 'She always was a jolly sight too keen on being grown up.'
This seems to me on the part of Lewis to reveal very weird unconscious feelings about sexuality. Here's a child whose body is changing and who's naturally responding as everyone has ever done since the history of the world to the changes that are taking place in one's body and one's feelings. She's doing what everyone has to do in order to grow up.
Maybe one day she'll grow past the invitations and the lipstick and the nylons. But my point is that it's an inevitable, important, valuable and cherishable stage that we go through. This what I'm getting at in my story. To welcome and celebrate this passage, rather than to turn from it in fear and loathing.
That's what I find particularly objectionable in Lewis – and also the fact that he kills the children at the end. Now here are these children who have gone through great adventures and learned wonderful things and would therefore be in a position to do great things to help other people. But they're taken away. He doesn't let them. For the sake of taking them off to a perpetual school holiday or something, he kills them all in a train crash. I think that's ghastly. It's a horrible message.
Louloubelle said:so, anyone who disagrees with you is an imbecile. nice

Louloubelle said:The point that the narnia stories have xtian and pagan elements to them seems to go over your head.
Fruitloop said:I'm kind of interested in what Louloubelle's problem with Moorcock's views on porno are, although it is a hideous derail![]()
Seems to me he was kind of Dworkin-lite, in that he dislikes photography that objectifies the participants, but not other kinds of nudity or depictions of sexual activity. What's the problem with that?
sovietpop said:anyhow if you liked the Narnia books you should read the Dark Materials triology, they are much more subtle and philosophicaly interesting.
Well, for a start, I don't think nudity is pornography. That sort of association has to do with American puritanism (well puritanism in general, but it always seems more prevalent over here, as do fixed gender roles). And I don't think sex is pornography. Nor is its depiction pornography. And I don't have problems with people selling comic books which have sex in them and so on and on. What I do have problems with is the objectification of people for sexual stimulus -- predatory sex, if you like. I do believe that photographic pornography is exploitation, however willing the exploited might be. I have no problems with nudity, as I said, and not much with most ordinary drawn pornography. Again where violence is concerned or where people are depicted as enjoying rape and so on, I have a lot of problems and I'd like to see that stuff disappear from society, though I don't know what it would take to make it happen, unless Dworkin's sueing by those who believe themselves exploited or otherwise harmed would work. You can check this out at the Dworkin site. I don't think anyone's ever considered me a prude or indeed straightlaced in any respect around sex. I am, as I reiterate many times, worried about exploitation and pornography which is evidence of crimes (child porn, of course, being the most obvious). The equation of anti-porn attitudes with conservatism is unfortunate but I know a lot of radicals (not all of them feminists) who hate porn as much as I do. I don't find the extreme satire of Lord Horror or Meng and Ecker disturbing (though many who like porn do!) for instance. Much that some would be shocked by I am not in the least shocked by. My attitudes have more to do with what I suppose are humane feelings towards other people. It's sad if people have to use porn, I will say. But then I don't know what it's like to have to use porn and am not entirely convinced it doesn't have to do with stimulating desire when no desire is around at that moment. I tend to have an idealistic fondness for spontanaity. And if it aint spontaneous I can't say I'm very interested. That probably is a simplification, but it's the way I am. I don't judge others, however. I just don't understand anything else. Best, M


Vixen said:TBH I think it's pretty hard to be particularly critical of something you absolutely *adored* as a child and something that you associate with your childhood: especially something that relates to your imagination.
Dask said:Call me an ignorant christian fool all you want but I'm quite looking forward to the film.![]()
Louloubelle said:that's a derail I don't have time for
I've met michael moorcock, albeit briefly, and used to know his daughters quite well
I just found his whole position untenable, as did one of his daughters.
I've just lost an hour posting here and it's too much
I'll leave the rest of you to discuss this further but I've got work to do