You like the original? Or you like the way it has been used via samples?
Both. There's something unique about the originals though, in their capacity to be ridiculous and brilliant at the same time.
You like the original? Or you like the way it has been used via samples?
A dilemma I'm sure for many of our po-faced types, with it being a staple of such a detested genre and yet a sampled touchstone of so much "authentic" music.
Start arguing, please.
This is where people will see post modern irony, to be fair, mate.their capacity to be ridiculous and brilliant at the same time.

you seem very angry about somethingSo there's a thing that's often sampled and in 2009 poolui asks if it's ok to use that sample to make new music?
So there's a thing that's often sampled and in 2009 poolui asks if it's ok to use that sample to make new music?
Does its inherent cheesiness besmirch the music it is sampled in?Ou est la dilemma ma chickadee?
This is where people will see post modern irony, to be fair, mate.![]()
It's history of being sampled is a secondary observation, really.
More important whether people think it's crap or not, in 2009.

Yeah it's shit (GBTOC)![]()
Does its inherent cheesiness besmirch the music it is sampled in?
Classic irony: it says one thing but means another.Where's the irony in that?
Classic irony: it says one thing but means another.
The cheesy Rhodes piano and cheesy harmonic ideas of the composition are, according to you, combining to say 'brilliance', whilst conveying incontrovertible 'ridiculousness'.No it bloody doesn't!
The cheesy Rhodes piano and cheesy harmonic ideas of the composition are, according to you, combining to say 'brilliance', whilst conveying incontrovertible 'ridiculousness'.
If that is not a definition of irony in art, I don't know what is.
It was you who said the music was simultaneously brilliant and ridiculous, not me. I'm not getting tied up in what was meant and what wasn't meant. Shakespeare employed dramatic irony by letting the audience know things the characters didn't. This was intended. Did James intend to convey both ridiculousness and brilliance, or is that just in the ear of the beholder? Doesn't matter. (Well, if the former it's standard irony, if the latter it's PoMo irony, I suppose).Aren't you mixing the assumed intentions behind the music with the result?
It was you who said the music was simultaneously brilliant and ridiculous, not me. I'm not getting tied up in what was meant and what wasn't meant.
But I didn't even bring up the question of what was "meant" in the first place.
But it doesn't matter.But I didn't even bring up the question of what was "meant" in the first place.
But it doesn't matter.
ridiculous and brilliant at the same time.
a great bassline doesn't redeem shit jazzfunk. See also that Flora Purim track.
i feel that my answer, whilst entirely on topic, has nothing to do with the thread.
Which is a source of some confusion.

Yes; the meaning of "irony".ho-bleeding-ho, I must be missing something!
and only the first three seconds of that!See also that Flora Purim track.
Yes; the meaning of "irony".
this is true though.some jazz funk is ace - expansions and unicorn especially