Reno
The In Kraut
maya said:Yeah... To be perfectly honest, I've always preferred the goofy voiceover version, it's part of the neo-noir charm IMO... nods to 1950's film noir and the private eye antihero.
Without that narrative voice, the film's flaws are more exposed (i.e. glossy surfaces, not enough depth), whereas harrison ford's voice added a human(ising) element to this whole hyperaesthetic thing
I completely disagree that Blade Runner is a film of just surfaces and that it has no depth. To me it's a superficial reading of the film. I always found Blade Runner tremendously moving and resonant while never sliding into sentimentality. The characters and conflicts are complex and while the film changes the plot and characters of the novel, it stays true to the spirit of Philip K. Dick in its examination of what it means to be human and what it means to be mortal.
I always thought the narration ruined the flying shots through the city, which are my favourite visual moments in the film and also Batty's death scene. For me those moments work so much better with just the music and all the information is there without the overexplanatory VO.
Then again there are quite a few people who do prefer the theatrical version, so it's being released as well.




