Random thoughts...
Re-listening to
Bavarian Fruit Bread now, Hope Sandoval could probably just sing a shopping list and still make it sound alluring...
Of the Rough Trade programmes, I enjoyed the clips of The Raincoats, Delta 5, Weekend, Robert Wyatt, Microdisney, Camper Van Beethoven, Pulp too.
In the actual documentary, good to see Scritti then and now (-and although I bought
Songs To Remember when it came out, I'd never realised until now quite what an apparently seismic moment it was for Rough Trade at the time).
I was pleasantly surprised to see that Mayo Thompson was
(1) so involved in Rough Trade (-I thought he'd only produced a couple of LPs for them), and
(2) that he wasn't/isn't quite the Roky-like sixties acid casualty of Red Krayola that I'd always assumed he'd be; he came across now as being sharp as a needle.
Too much on emphasis on The Smiths as sole saviours of indie; no doubting they seemed to have been the saviours of Rough Trade's
finances at the time, but by that point it's not like there weren't other strong indie labels and bands around back then too.
Geoff Travis clearly squirmed whenever difficult questions were asked about apparently bad decisions he'd made, and although he held his hands up to some mistakes, I felt he got off a bit lightly:
"-Oh... -I don't remember anything about that..." -That's either refreshingly honest, or a bit of a cop out; I can't decide.
Towards the end, it seemed to me that the documentary mistook the more recent resurrection of Rough Trade as some kind of totemic phoenix of the independent spirit, as opposed to being more specifically a personal resurrection for Geoff Travis. And I don't know if it's quite the vindication that it was presented as; isn't he now just working firmly within the mainstream system he'd originally sought to overthrow, pushing a much smaller but far safer roster of acts?
I'm probably being a bit too harsh. I did really enjoy watching it all.
The first third of the documentary really made me want to form a band or a label. The middle third made me have second thoughts, and the final third made me want to stop watching (-I can't stand The Strokes, The Libertines, Anthony, and Duffy...). But fair play to the Rough Trade of old; up to a point, they really showed everybody else that it could be done, and exactly how to do it. For that they were fucking great.
And now that Factory and Rough Trade have been embraced and documented by BBC4, I expect it'll be Creation next... (-Although Mute/Blast First/etc would probably be just as worthy a subject?...)
