Urban75 Home About Offline BrixtonBuzz Contact

Battle Of The Dancefloor Ladies: Madonna Vs Goldfrapp

It's Obviously


  • Total voters
    75
Reno said:
...once she's been Photoshopped to death. I've seen her close up and she looks really rough (and she isn't very nice either)

Madge ain't up to much these days either. How dya know what she's like by the way?
 
acid priest said:
Don't know how to vote here. Madonna has been responsible for many brilliant records, and I'm not a massive Goldfrapp aficionado I have to admit, but I think she shows greater promise and demonstrates greater invention than Madonna has left in her.

So: Madonna then and Goldfrapp now, methinks. Possibly.

This sums it up perfectly.

It's like comparing the Yeah Yeah Yeahs with Vera Lynn, for fucks sake.

As far as I know Goldfrapp have never had to sleep with their record producers in exchange for a hit record - added to the fact that their sound is way more original and they write and produce it themselves.

Besides - I'm hardly a Goldfrapp superfan - I've had the new CD since Xmas day and have yet to play it once!

Personally - "Train" or "Strict Machine" beat the entire Madonna back catalogue in my view, but I've never liked Madonna's shallow voice and lack of range... something Alison Goldfrapp can never be accused of suffering from.

Madonna is way past it - she should have resigned with Bye Bye American Pie, a fitting end.

But no - she's living in MY country, trying to claim that ramblers on her vast tract of countryside are "violating her human rights" and banging on about Kaballah.

She should fuck off back to Noo Joisey.
 
pk said:
But no - she's living in MY country, trying to claim that ramblers on her vast tract of countryside are "violating her human rights" and banging on about Kaballah.

She should fuck off back to Noo Joisey.
aye, fucking millionaire pop star immigrants. they come over here, take all our jobs & houses, marry our movie directors... send the bastards back! :mad:

:p
 
reNnIe said:
she's not from new jersey originally. she's a midwest girl!

So she can fark off back to the midwest... or the mid-Atlantic, seems to be where her accent lies these days...
 
killer b said:
aye, fucking millionaire pop star immigrants. they come over here, take all our jobs & houses, marry our movie directors... send the bastards back! :mad:

:p

Oh, she can take that movie director with her.

I know a couple who spent three months in NYC applying gold leaf transfers to some wallpaper Madge had chosen for one of her apartments... ended up costing her about $30,000 - for some wallpaper... Jeez... no wonder she needs to attend some revised 60's Jewish cult meetings...
 
pk said:
As far as I know Goldfrapp have never had to sleep with their record producers in exchange for a hit record .

relevant to their music how?

pk said:
added to the fact that their sound is way more original and they write and produce it themselves.


bollocks - EVERY Goldfrapp hit since she reinvented herself as the Rocky Quatro Picture SHow has been an obvious rip off of something else.

pk said:
But no - she's living in MY country, trying to claim that ramblers on her vast tract of countryside are "violating her human rights" and banging on about Kaballah.

relevant to her music how?

the more extraneous stuff you throw into the debate, the more you admit defeat :p
 
The fact that she's a cunt is relevant to me every time I hear her stupid whiny vocal!
 
Dubversion said:
nicking an EXACT look Iggy was rocking 25 years ago. she's a fucking charlatan and she only gets away with it because her audience are either 11 years old and don't get out much anymore cos of the school run.

Goldfrapp is 'rocky horror' music for wannabe wacky types who think the Scissor Sisters a a bit TOO risqué
mm, what a bizarre set of comments! Which Iggy look are you thinking of, circe 1980? I dont think our Alison has much in the way of heroin chic, or in letting her trousers drop down over her arse.

WhichT Rex record does the sublime Black Cherry sound like? You haven't just drawn a vast over-simplification based on a single single have you??!!

And the Scissor Sisters aren't considerede risque they're considered incredibly cheesy disco music - they're the friggin beegee's for frugs sake!

And whoever mentioned stuck up vicars daughters from Brighton....get the heck away!

i'd vote Goldfrapp just for her Orbital vocals anyway.
 
Dubversion said:
bollocks - EVERY Goldfrapp hit since she reinvented herself as the Rocky Quatro Picture Show has been an obvious rip off of something else.
aye, cos madonna has been at the cutting edge of musical innovation throughout her career too!
 
Goldfrapp's shit. Can't understand the fuss - she's a one trick eelctro pony as well. And she's not half as smart as she'd like to think she is - she comes across as gormless on a good few interviews. Can't see her lasting; well, you can only hope.

On the other hand I admire Madonna for her ability to re-invent herself by latching onto any emerging trend. It's only the music and that thin old voice that turn me right off

It's like a choice between shit. It's more difficult to avoid the madonna shit - like dogshit it's ubiquitous and nearly always lurking nearby. Goldfrapp, on the other hand, is like a huge steaming pile of horse and elephant shit mixed, albeit one with topped with a jaunty hat and a trendy light-electro backgroud.

On balance. I marginally prefer madonna's shit...

;)
 
belboid said:
mm, what a bizarre set of comments! Which Iggy look are you thinking of, circe 1980? I dont think our Alison has much in the way of heroin chic, or in letting her trousers drop down over her arse.


erm,, the horse look. which is why i quoted the previous post. :p

belboid said:
WhichT Rex record does the sublime Black Cherry sound like? You haven't just drawn a vast over-simplification based on a single single have you??!!

.
i didn't say every track sounded like T Rex, i said every single sounded like something else

belboid said:
And the Scissor Sisters aren't considerede risque they're considered incredibly cheesy disco music - they're the friggin beegee's for frugs sake!.

i couldn't agree more - that was the basis of the comment.
 
Dubversion said:
bollocks - EVERY Goldfrapp hit since she reinvented herself as the Rocky Quatro Picture SHow has been an obvious rip off of something else.

True. I'm not familiar with her albums, but Spirit In The Sky does seem to loom large... :eek:

That said, I like the singles I've heard. :)
 
What will Madonna latch on to next? Perhaps she could end her pop career in spectacularly bad taste by doing a grime track :cool:
 
Dubversion said:
erm,, the horse look. which is why i quoted the previous post. :p
aye, i cant quite recall iggy as a horse tho, or, aaah, were you referring to a different kind of horse?

i didn't say every track sounded like T Rex, i said every single sounded like something else
whereas madonna.....

i couldn't agree more - that was the basis of the comment.
mmm, and indeed, hmmm - y'see Goldfrapp is music for people who enjoy sex, whereas SS is for people who enjoy talking about sex......

or summat
 
belboid said:
aye, i cant quite recall iggy as a horse tho, or, aaah, were you referring to a different kind of horse?

oh come on, you've seen the footage of Iggy in leather with the horse's tail attached to his trousers?
 
belboid said:
aye, cos madonna has been at the cutting edge of musical innovation throughout her career too!

Yup.

Nile Rogers being the most important person in her career, out of respect for him I'll leave his productions out of it.

Express Yourself - crap watered down fake-Motown bollocks.

Hanky Panky - needs no comment, frankly.

Dire Another Day - worst Bond theme ever recorded... no matter how much she bribed Mirwais to sound original she still sounds like she's singing on a Daft Punk record.

In terms of today - and her new album...

"the album could best be described as one long mix tape consisting of Donna Summer’s “I Feel Love,” New Order’s “Blue Monday,” Blondie’s “Atomic” and Madonna's own “Bedtime Stories.”

One electronic dance groove fades into another without much ado.

A few of the lyrics may deal with Madonna’s inexplicable Kaballah obsession, but words are mostly negligible here, or worse.

Those that do jump out, most notably the appallingly bad rhymes of “I Love New York” (which will most likely cause even New Yorkers to cringe).

:D

TROUSERPRESS.COM
 
read the thread, pk, and see why it was mentioned. certainly not relevant to either person's music, but then i didn't bring it up.

oh and

Madonna 14 70.00%
Goldfrapp 6 30.00
 
Dubversion said:
oh come on, you've seen the footage of Iggy in leather with the horse's tail attached to his trousers?
oh yeah, that's one of the things i try to put from my mind actually...rather like the pink plastic see thru trousers.......
 
Reno said:
...once she's been Photoshopped to death. I've seen her close up and she looks really rough (and she isn't very nice either)
Yeah, rough as you like on closer inspection. My friend was on tour with her (doing sound for the support band) and he said she was a total bitch, coked up constantly and a bit of a sado. Still like her older music but the new stuff is a bit GLAM ROCKish.
 
Since we're on non-musical issues:

Shanghai Surprise (1986) Director: Jim Goddard
Starring: Sean Penn, Madonna, Paul Freeman, Richard Griffiths, Philip Sayer, Clyde Kusatsu, Kay Tong Lim

Madonna plays a missionary nurse in 1937 China who hires a dim-witted American fortune hunter (her then-real-life-husband, Sean Penn) to find a stash of stolen opium. She wants the drugs so she can help her patients and get out of China. There’s no chemistry between Penn and Madonna and the pacing of the movie is awful, and the dialogue is terrible.

George Harrison who was the executive producer of this film said working with the very spoiled Madonna was the worst experience he ever had since he had been in show business and he shortly there-after got out of the film business selling his interest in Handmade Films.
 
Back
Top Bottom