There are some exceptions - I enjoy black metal best on really shitty distorting speakers for EGthe 'trashier' productions requie a better set of speakers.
no there aren'tThere are some exceptions

I was listening to a black metal album recently through my laptop speakers and it sounded amazing.no there aren't![]()

I’m starting to realise why you like cassette tapesI was listening to a black metal album recently through my laptop speakers and it sounded amazing.![]()

Bet it sounds even better on someone else’s phone on a busI was listening to a black metal album recently through my laptop speakers and it sounded amazing.![]()
I enjoy high fidelity recordings played on the finest systems too. But listening to music in different ways does give you other - sometimes quite different - perspectives on the music. What's that thing Eno says about today's distortion being the desirable aesthetic of the future?I’m starting to realise why you like cassette tapes![]()
Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them
It takes a lot more skill... to have a full wall of sound type effect where everything is still clear and working harmoniously together.
Hence my tag line.You want Steely Dan's 'Aja'

I'm afraid despite 'dan's rep for sophisticated lyricism, I don't really listen to the words so unfortunately it means nothing to me.Hence my tag line.![]()
Yeah, I bought a plug-in that is based on all the bad artefacts of vhs recording. I love itI enjoy high fidelity recordings played on the finest systems too. But listening to music in different ways does give you other - sometimes quite different - perspectives on the music. What's that thing Eno says about today's distortion being the desirable aesthetic of the future?

Eee, you young uns.I'm afraid despite 'dan's rep for sophisticated lyricism, I don't really listen to the words so unfortunately it means nothing to me.
Glad it’s not just meI'm afraid despite 'dan's rep for sophisticated lyricism, I don't really listen to the words so unfortunately it means nothing to me.
Still puzzled at this response?
Just that it's a terrible album loved by people with very expensive stereos, or middle aged ex-stoners. I know lots of people feel the same way about Aja too, but they're wrong there because I like it.Still puzzled at this response?
I follow but not all walls of distorted noise are equal - far from it. Anyhow, distorted noise isnt the alternative bench mark - creative engineering is.Any idiot can record a wall of distorted noise, and any old heap of shit speaker can reproduce it.
It takes a lot more skill - and a better speaker system - to capture a sense of depth and space, as well as the individual elements within it, or to have a full wall of sound type effect where everything is still clear and working harmoniously together.
how about this lol?Just that it's a terrible album loved by people with very expensive stereos, or middle aged ex-stoners. I know lots of people feel the same way about Aja too, but they're wrong there because I like it.
I wasn’t vouching for the quality of the music, just that it would make an audiophile orgasm. They’re music is not terrible IMO, but so beige as to be almost unlistenable these daysJust that it's a terrible album loved by people with very expensive stereos, or middle aged ex-stoners. I know lots of people feel the same way about Aja too, but they're wrong there because I like it.
I thought you were making a joke about that very thing, so I laughed.I wasn’t vouching for the quality of the music, just that it would make an audiophile orgasm. They’re music is not terrible IMO, but so beige as to be almost unlistenable these days
When I was young I used to try and drum along with Aja, which provided a swift and lifelong lesson in knowing my limitations.Just that it's a terrible album loved by people with very expensive stereos, or middle aged ex-stoners. I know lots of people feel the same way about Aja too, but they're wrong there because I like it.
Yes, but you are up against Steve Gadd, Bernard Purdie, and Rick Marotta, amongst the plethora of drummers and other top of their game session musicians that Fagen and Becker utililised often a totally different line-up for each track. Perfectionist bleeders.When I was young I used to try and drum along with Aja, which provided a swift and lifelong lesson in knowing my limitations.
There’s
If you’ve got kit to render MQA then Tidal Masters is well worth it.
There’s some amazing stuff on there - John Coltrane, Aretha Franklin and Philip Glass if you’re into that. Roberta Flack - Killing Me Softly well worth a listen.
Whereas even CD quality still has some form of compression
