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A visit to the British Museum

HE SAID, 'IT DOESN'T LOOK THAT WAY, DOES IT'

PUT YOUR HEARING AID IN

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bungle73 recently
 
German, Italian and Icelandic respectively. ;)
The Sutton Hoo shoulder clasp is Germanic in style, but could have been made in East Anglia. The Hinton St Mary mosaic could easily have been made by a local mosaicist who was given coins to copy for the roundels - his actual nationality is unknown, but it was made in England. The Lewis chessmen were probably made in Norway near Trondheim.

Edit: corrected Sutton Hoo chessmen to Lewis chessmen - doh!
 
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The Sutton Hoo shoulder clasp is Germanic in style, but could have been made in East Anglia. The Hinton St Mary mosaic could easily have been made by a local mosaicist who was given coins to copy for the roundels - his actual nationality is unknown, but it was made in England.
I didn't know the particular items, but was pushing my luck in order to make a flippant joke (but one based on a serious point that I like to play around with: that culture is not the same as a nation or a nationality, and time only intensifies that mismatch).

The Sutton Hoo chessmen were probably made in Norway near Trondheim.
Ah, I misidentified that as a Lewis Chess Piece. The latest thinking (though by no means universally accepted) is that those were made in Iceland.
 
I wanted to go to the British Museum when I was last in London, but the teens said "what, after dragging us to Marx's grave? No way. You're taking us for pizza".

I last visited the British Museum in 1972, to see the Tutankhamen exhibition.
 
I had a summer job in the BM darkrooms (when I was doing photography at the LCP) in the '70s. It was incredible going through the staff entrance and basement stores to get to where I worked before the museum opened to the public. There were bays lined floor to ceiling with shelving, all full of the most amazing items in the reserve collections.
 
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I had a summer job in the BM darkrooms (when I was doing photography at the LCP) in the '70s. It was incredible going through the staff entrance and basement stores to get to where I worked before the museum opened to the public. There were bays lined floor to ceiling with shelving, all full of the most amazing items in the reserve collections.

Very jealous, I'd love to work at the museum
 
Very jealous, I'd love to work at the museum
The job itself was quite boring, just making b&w prints. The union had negotiated that the darkroom workers were expected to do 40 prints a day. No-one had told me and on my first morning there I'd done 40 prints by about 12:00. A union guy told me not to do any more, so I sat there reading a newspaper when one of the managers came in and asked why I wasn't working :facepalm::rolleyes:. The rest of the time I was there (about six weeks) I just worked really slowly.

The best thing was visiting a different room in the museum every lunchtime. That was a real treat.
 
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