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90s Big Beat

In fact, "Rude Boy Rock" by Lionrock is so very similar to "My Mate Paul" by David Holmes. Do they use the same sample???

Oh, and don't forget the Wiseguys. They were Big Beat, and Ooh Lala uses that same kind of old Soul sample used in the above mentioned tunes.
 
I've got mad love for Big Beat. I was pretty much strictly metal at the time & some friends dragged me to Turnmills for Heavenly Jukebox (or was it Social by then?). It was a complete cliche textbook musical epiphany moment. I'm in total agreement with the wheat to chaff ratio but it was a really good introduction to dance music for me.

As for it making a come back. I think it's already happened. To me, loads of that stuff that Fidgit stuff has a lot in common with Big Beat.
 
used to enjoy listening to freddy fresh - what it is...

aint played in a while now mind you. wharra bout the freestylers? we rock hard, feel the panic etc. some good tunes on that album.
 
this select freebie still stands the test of time.
there was another mix tape - from jockey slut - at around the same time - one side skint (mixed by cut la roc, not so good) and the other side jon carter doing wall of sound (amusingly, a google search for it brought me straight back to the blog post fozzie put up there... :D). the jon carter side is utterly ruling...
 
don't think so - that was well after big beat had died a death. radio soulwax is mainly electroclash...

brimful of asha killed it off, i reckon...
 
well. truth is lol it never went away it mutated

SFAcid and cheap computers made it easy for anyone to make that music, and you can still hear it everywhere, just noone get on telly and gets called a genius they get to play in pubs instead :cool:
 
don't think so - that was well after big beat had died a death. radio soulwax is mainly electroclash...

brimful of asha killed it off, i reckon...

Mmmmmmmm maybe, I think what killed it off was lots of imitators making shit records, Zoe n Norm celebrity "Hello" features and a bunch of the main people getting a lot more housey.

When I started going to the Skint nights at The End there were massive gaps on the dancefloor, but after norm's (sorry, quentin's) chart success you could hardly move for people standing about, not dancing, waiting to see him.
 
Mmmmmmmm maybe, I think what killed it off was lots of imitators making shit records
possibly, although as i said, there was never really that much of it about... not to my memory anyway - there was wall of sound, skint and a few other small labels, and that was it.
, Zoe n Norm celebrity "Hello" features and a bunch of the main people getting a lot more housey.
possibly this too. and 'nu skool breaks' took quite a lot of the main producers...
 
freq nasty count? :hmm:
he fucking done a storming set when i saw him

got some tunes somewhere that are bigbeat but can't remember any of their names, think i tried to sell em once as well
 
i think freq nasty was (along with people like adam freeland, rennie pilgrem etc) the first wave of nu-skool breaks - immediately post big-beat, although there was a certain amount of crossover i guess...
 
i think freq nasty was (along with people like adam freeland, rennie pilgrem etc) the first wave of nu-skool breaks - immediately post big-beat, although there was a certain amount of crossover i guess...

Yeah, Freq Nasty is not big beat, apart from having beats and being, well, "big". Definitely around at the same time, though, and I first heard the tunes in that context; I think I picked up a Botchit Breaks CD.
 
everybody got the first botchit breaks cd... 'cause it was £1.99 for a double of - tbh - fairly good quality drug music.

shame everything that followed was so totally lame...
 
i think freq nasty was (along with people like adam freeland, rennie pilgrem etc) the first wave of nu-skool breaks - immediately post big-beat, although there was a certain amount of crossover i guess...

nu skool breaks thas the one! ta :)

maybe was cos i saw freq nasty in brighton (10 yrs ago?? fuck knows) and was quite mashed iirc
 
everybody got the first botchit breaks cd... 'cause it was £1.99 for a double of - tbh - fairly good quality drug music.

shame everything that followed was so totally lame...

oh good, I got the best one then :D I'm listening to it again now, I wish I had better bass on this system. I used to annoy people across the road it.

Oh yes, Doc Hope, I like that track.
 
nuskool breaks is a far far broader sound than big beat ever could be- big beat is just one of the many many influences in there.

some big beat still sounds pretty good but there's just so much that has dated terribly- almost anything by the freestylers pre rawasfuck turns my stomach (ibby dibby dibby do bar day :rolleyes::mad:) as does lots of ol' fatboy.
 
You know, rolling back through the supposed "big beat" tracks, I'm just reminded of all the stuff that it referred to that I then went on to listen to.
 
Who did that "Women Beat Your Men" track?

And were Les Rhythm Digitales big beat? I always think about big beat being the dance music indie kids could get on with, as someone else has said.

St Etienne's Filthy, esp. the Monkey Mafia remix is deffo big beat, ain't it?

Oh, I've answered my first question already, Jon Carter, the man who made me "get" dance music about 10 yrs ago...
 
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